Smart, careful reviews covering a reasonably representative swathe of movies past and present.
Multitasking writer/editor O’Brien (The Fall of the House of Walworth, 2010, etc.) showcases his work over the past decade as a film critic and historian.
The historian gets more of an outing in this new collection; substantially more than half the pieces, many of which were written to accompany DVD re-releases, cover such staples of college classes and museum retrospectives as directors Fritz Lang and Jacques Tourneur and vintage film ranging from Alfred Hitchcock’s The Lady Vanishes to Jean-Luc Godard’s Breathless. The author’s insights into these familiar icons are unfailingly intelligent and delivered in polished prose, though there’s little here that any reasonably literate movie buff hasn’t read before. His take on contemporary blockbusters (including a single TV series, The Sopranos) is often more idiosyncratic and interesting. “Spider-Man, the movie…has a ponderousness its model altogether lacked,” he writes, contrasting the scrappy Marvel comics that inspired it with the Hollywood franchise that “descends from above, trailing clouds of magazine covers and licensed toys.” His take on Steven Spielberg’s Minority Report is similarly well-informed about its pop-culture source (a Philip K. Dick story) and appreciative of Spielberg’s abundant moviemaking gifts, while holding the film to a higher intellectual standard than its director seems interested in meeting. O’Brien, editor-in-chief of the Library of America, tends to take a serious, quasi-academic approach to movies; obituaries for his predecessors Pauline Kael and Andrew Sarris are appreciative and shrewd about both critics’ essential qualities, but he’s clearly more in sympathy with the “reverence for film history” he praises in Sarris’ work than with Kael’s fierce advocacy for “the sovereignty of her own taste.” In general, the author is less an innovative thinker than a tasteful summarizer of received cultural wisdom, right down to the concern expressed in his preface that movies are part of the semisinister digital revolution.
Smart, careful reviews covering a reasonably representative swathe of movies past and present.Pub Date: June 11, 2013
ISBN: 978-1-61902-170-9
Page Count: 288
Publisher: Counterpoint
Review Posted Online: March 16, 2013
Kirkus Reviews Issue: April 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A zesty, energetic history, not only of a building, but of more than a century of American culture.
A revealing biography of the fabled Manhattan hotel, in which generations of artists and writers found a haven.
Turn-of-the century New York did not lack either hotels or apartment buildings, writes Tippins (February House: The Story of W. H. Auden, Carson McCullers, Jane and Paul Bowles, Benjamin Britten, and Gypsy Rose Lee, Under One Roof In Wartime America, 2005). But the Chelsea Hotel, from its very inception, was different. Architect Philip Hubert intended the elegantly designed Chelsea Association Building to reflect the utopian ideals of Charles Fourier, offering every amenity conducive to cooperative living: public spaces and gardens, a dining room, artists’ studios, and 80 apartments suitable for an economically diverse population of single workers, young couples, small families and wealthy residents who otherwise might choose to live in a private brownstone. Hubert especially wanted to attract creative types and made sure the building’s walls were extra thick so that each apartment was quiet enough for concentration. William Dean Howells, Edgar Lee Masters and artist John Sloan were early residents. Their friends (Mark Twain, for one) greeted one another in eight-foot-wide hallways intended for conversations. In its early years, the Chelsea quickly became legendary. By the 1930s, though, financial straits resulted in a “down-at-heel, bohemian atmosphere.” Later, with hard-drinking residents like Dylan Thomas and Brendan Behan, the ambience could be raucous. Arthur Miller scorned his free-wheeling, drug-taking, boozy neighbors, admitting, though, that the “great advantage” to living there “was that no one gave a damn what anyone else chose to do sexually.” No one passed judgment on creativity, either. But the art was not what made the Chelsea famous; its residents did. Allen Ginsberg, Bob Dylan, Andy Warhol, Janis Joplin, Leonard Cohen, Robert Mapplethorpe, Phil Ochs and Sid Vicious are only a few of the figures populating this entertaining book.
A zesty, energetic history, not only of a building, but of more than a century of American culture.Pub Date: Dec. 3, 2013
ISBN: 978-0-618-72634-9
Page Count: 448
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Sept. 18, 2013
Kirkus Reviews Issue: Oct. 1, 2013
BOOK REVIEW
A wondrous mix of races, ages, genders, and social classes, and on virtually every page is a surprise.
Photographer and author Stanton returns with a companion volume to Humans of New York (2013), this one with similarly affecting photographs of New Yorkers but also with some tales from his subjects’ mouths.
Readers of the first volume—and followers of the related site on Facebook and elsewhere—will feel immediately at home. The author has continued to photograph the human zoo: folks out in the streets and in the parks, in moods ranging from parade-happy to deep despair. He includes one running feature—“Today in Microfashion,” which shows images of little children dressed up in various arresting ways. He also provides some juxtapositions, images and/or stories that are related somehow. These range from surprising to forced to barely tolerable. One shows a man with a cat on his head and a woman with a large flowered headpiece, another a construction worker proud of his body and, on the facing page, a man in a wheelchair. The emotions course along the entire continuum of human passion: love, broken love, elation, depression, playfulness, argumentativeness, madness, arrogance, humility, pride, frustration, and confusion. We see varieties of the human costume, as well, from formalwear to homeless-wear. A few celebrities appear, President Barack Obama among them. The “stories” range from single-sentence comments and quips and complaints to more lengthy tales (none longer than a couple of pages). People talk about abusive parents, exes, struggles to succeed, addiction and recovery, dramatic failures, and lifelong happiness. Some deliver minirants (a neuroscientist is especially curmudgeonly), and the children often provide the most (often unintended) humor. One little boy with a fishing pole talks about a monster fish. Toward the end, the images seem to lead us toward hope. But then…a final photograph turns the light out once again.
A wondrous mix of races, ages, genders, and social classes, and on virtually every page is a surprise.Pub Date: Oct. 13, 2015
ISBN: 978-1-250-05890-4
Page Count: 432
Publisher: St. Martin's
Review Posted Online: July 27, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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