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LEONCE AND LENA

Strange and disconcerting.

A retelling of an early-19th-century German satirical play in which royalty, mistaken identity, rebellion and angst all play out in a fairy-tale setting requires leaps of comprehension beyond its intended audience.

Prince Leonce and Princess Lena have never met but share a sense of dissatisfaction with their places in life. When it is decreed that they must marry, they separately attempt to escape their fates. But a chance encounter at an inn results in love at first sight. Meanwhile, back at the castle, the King (Leonce’s father) has prepared for the marriage celebrations, and thanks to the machinations of Leonce’s confidant Valerio, the nuptials proceed with disguises and surprises. Amann reimagines the original work, employing wildly varying language and syntax. There are flowery, esoteric descriptions, metaphoric allusions and contemplative moments, along with comedic pronouncements and some modern twists. Zwerger’s imaginative, watercolor-and-collage illustrations incorporate changing perspectives and are filled with unexpected and delightful touches that shed some light on the confusion inherent in the text. Young readers for whom the work is evidently intended will be more puzzled than intrigued (the publisher is recommending an age range of 4-8). It might be more successful with an older audience that has adult guidance, although many adults will be hard-pressed to explain the call for a workless society at the conclusion.

Strange and disconcerting. (biographical material, bibliography) (Play. 10-12)

Pub Date: Dec. 1, 2013

ISBN: 978-0-7358-4141-3

Page Count: 64

Publisher: NorthSouth

Review Posted Online: Oct. 19, 2013

Kirkus Reviews Issue: Nov. 1, 2013

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THE BOY IN THE OAK

Physically slender but long on mystical atmosphere, Albarn’s debut features a mix of feathery line portraits and translucent leaves of pale, reworked photos of butterfly-wing and other natural patterns. They illustrate a short, formally told tale of Faerie retribution and redemption. In the first part, a bored, malicious lad tries to set fire to a Druidic Oak near his parents’ cottage and is embedded within the wood by angry sprites. Years later, when the Faeries try to do the same to a young girl whose parents plan to cut the tree down, the boy saves her and is released for showing compassion. The elevated language is nowhere near as polished as the pictures: “The boy awoke with a thud to his heart”; “He twisted with anxiety, wretched with his own memories and shameful of his past.” The special paper adds a misty, magical air to the page turns, however, and the insectile, sharp-tempered Faeries inject a needed thread of animation. Will tempt fans of the Spiderwick series and all things Faerie. (Fantasy. 10-12)

Pub Date: Dec. 1, 2010

ISBN: 978-1-897476-52-9

Page Count: 40

Publisher: Simply Read

Review Posted Online: Oct. 11, 2010

Kirkus Reviews Issue: Nov. 1, 2010

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THE HANNAH CHRONICLES

THE ADVENTURES OF HANNAH HADLEY, GIRL SPY: THE DOOR IN THE FLOOR

A familiar story skillfully reimagined for today’s gadget-savvy youth.

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Hannah Hadley is a young special agent who must thwart a clear and present danger to the United States in Hoover’s “smart is cool” young adult novel.

Hannah Hadley might seem like most 13-year-old girls. She enjoys painting, playing with her MP3 player and spending time with friends. But that’s where the similarities end. Hadley doubles as Agent 10-1, among the youngest spies drafted into the CIA’s Div Y department. She’s joined in her missions by her 10-pound Shih Tzu, Kiwi (with whom she communicates telepathically), and her best friend Tommie Claire, a blind girl with heightened senses. When duty calls, the group sneaks to a hidden command center located under the floor of Hadley’s art studio. Her current mission, aptly named “Operation Farmer Jones,” takes her to a secluded farmhouse in Canada. There, al-Qaida terrorists have gathered the necessary ingredients for a particularly devastating nuclear warhead that they intend to fire into America. The villains are joined by the Mad Madam of Mayhem, a physicist for hire whom the terrorists force to complete the weapon of mass destruction. With Charlie Higson’s Young James Bond series and the ongoing 39 Clues novellas, covert missions and secret plans are the plots of choice in much of today’s fiction for young readers, and references to the famed 007 stories abound in Hoover’s tale. But while the plot feels familiar, Hoover’s use of modern slang—albeit strained at times—and gadgets such as the iTouch appeal to today’s youth. Placing girls in adult situations has been a mainstay since Mildred Wirt Benson first introduced readers to Nancy Drew in The Secret of the Old Clock, but Hannah Hadley is like Nancy Drew on steroids. Both are athletic, score well in their studies and have a measure of popularity. Hadley, however, displays a genius-level intellect and near superhuman abilities in her efforts to roust the terrorists—handy skills for a young teen spy who just so happens to get the best grades in school.

A familiar story skillfully reimagined for today’s gadget-savvy youth.

Pub Date: Nov. 15, 2010

ISBN: 978-0615419688

Page Count: 239

Publisher: N/A

Review Posted Online: Jan. 3, 2011

Kirkus Reviews Issue: March 1, 2011

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