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THE MOONHAWKER

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When ever-resilient, stubborn Atticus Gunner teams up with Butch Gorpon to uncover the mystery behind the deaths in an island community, the duo discovers that something far greater is in the works.

Atticus Gunner is offered $310,000 in addition to a 32-foot sailing sloop, the Moonhawk, as compensation for assuming the role of school administrator and police officer on Washington Island. On his way to the island, he encounters a boat full of drunkards, who later try to shoot at the Moonhawk. From his arrival on the island, Atticus has his hands full. In fact, his first full day culminates in a barroom brawl with the Cline boys, an event that foreshadows the no-nonsense attitude that Gunner will enforce throughout the story. The potential sabotage of his boat and his meeting with local psychic, Cynthia, who anoints him the warrior that will fight off the darkness, put an intriguing twist in the plot. Perhaps the book’s most compelling element is the author’s ability to weave character relationships, especially the budding friendship between Atticus and Butch, the school board president. Nevertheless, Atticus’ relationship with his two daughters, Stacie and Inger, is beautifully portrayed, particularly the scenes on the Moonhawk where readers realize that Atticus is an individual of substance—he will not let anyone harm his family or friends. As the deaths of several island boys confirm, those that harm Atticus’ family or friends will face retribution. The novel shines with engaging dialogue, seamless transitions and kinetic plot development, making the story flow smoothly. When seemingly ordinary individuals start dying in extraordinary ways, Gunner puts everything aside and dives into the situation. This attitude, despite placing him in far too many precarious situations, will undoubtedly endear him to readers. With reckless abandon, and his administrative duties in jeopardy, Gunner teams with the FBI and CIA in an attempt to reveal the true identity of the island’s so-called “good guys.” Gunner fails to realize, however, that he may have taken on more than he can handle; with a history of bloodshed, the assassins are coming for Atticus full force. Unfortunately for them, that makes little difference to Atticus. Fox fuses tantalizing action, adventure and memorable characters with nearly three decades of real-life experience to deliver an addictive page turner with blistering intensity.

 

Pub Date: Oct. 20, 2011

ISBN: 978-1462046492

Page Count: 621

Publisher: iUniverse

Review Posted Online: Jan. 16, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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