A vigorous analysis of a pernicious ideology.
An investigation of the perils of neoliberalism.
British journalist and environmental activist Monbiot and filmmaker Hutchison mount a damning, persuasive critique of neoliberalism, an ideology that exalts capitalism and greed. A term coined in 1938 based on the writings of economists Friedrich Hayek and Ludwig von Mises, and enthusiastically popularized by Milton Friedman, neoliberalism, the authors assert, has caused or contributed to economic inequality; “diseases of despair” such as suicides and overdoses; the erosion of the tax base, resulting in a lack of public funding for health, education, and infrastructure; and the advent of demagogues, such as Viktor Orbán, Narendra Modi, Donald Trump, Boris Johnson, and Jair Bolsonaro. These “deeply flawed human beings with oversized egos and pathological insecurities” have been enabled by neoliberal ideologues who promote the mantra that competition, deregulation, and privatization will lead to wealth that will enrich everyone. However, the authors warn, freedom from regulation benefits only the very wealthy, leading to the exploitation and endangerment of workers, environmental damage, and the kinds of “exotic financial instruments” that caused the financial crisis of 2008. “As a general rule,” write the authors, “privatization is legalized theft from the public realm.” Instead of taking responsibility for the endemic problems they cause, neoliberals blame ordinary people for crises. They promote the idea that personal changes can be solutions, urging citizens to recycle while their enterprises loot natural resources. Neoliberalism has coopted both political parties, established influential think tanks, and found supporters in the press. The authors’ argument against neoliberalism includes proposals for change: Campaign finance reform may draw new political actors; local efforts can serve as models for “participatory, deliberative democracy.” “Once roughly 25 percent of the population is committed to change,” they contend, the rest of society will quickly join them.
A vigorous analysis of a pernicious ideology.Pub Date: June 4, 2024
ISBN: 9780593735152
Page Count: 224
Publisher: Crown
Review Posted Online: March 29, 2024
Kirkus Reviews Issue: May 1, 2024
BOOK REVIEW
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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