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. . . TO BE A HORSEMAN

An intriguing, if occasionally rambling, tale of a sometimes-solitary life.

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A thoughtful memoir about growing up on a ranch in the mountains of Northern California, punctuated with philosophical musings on societal changes over the past seven decades.

Beck’s debut takes readers on a long journey over mountainous trails, through the vast acreage of his family’s cattle-rearing land—some of which they owned, some of which they leased. He writes about how his connection to that land, and to the wild and domesticated animals that populated it, became the defining influence in his life. In later years, he found himself in the more citified world of Humboldt State University in Arcata, California, where he became a designer and teacher in the theater department, but he never really left the ranch, either physically or emotionally. The product of a father who taught him “to be a man” and a mother who sought to protect him from physical harm, Beck seems to have incorporated these opposing forces into a strenuous and soulful life. He shows his artistic side through reproductions of his rather charming watercolors, which he scatters throughout the book. His words, however, focus on the excitement, adventures and misadventures of running the ranch, which he mostly accomplished on horseback. He tells of how his passion for horses began long before he could mount and ride them: “From the time I had enough balance to even attempt to straddle a horse, live or imaginary, I would, by God! Grow up to be a horseman.” The narrative is sometimes unnecessarily encumbered by the names of trails, streams, rocks and hills, most of which readers will soon forget. But the essence of the countryside and the harsh details of ranching come across vividly and sensually. He doesn’t include significant biographical information about his wife, children or adult home life in these recollections; rather, this is the joyful, poignant story of one man’s changing relationship with land and beast.

An intriguing, if occasionally rambling, tale of a sometimes-solitary life.

Pub Date: Dec. 31, 2013

ISBN: 978-1491093351

Page Count: 198

Publisher: CreateSpace

Review Posted Online: Oct. 4, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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