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LILY'S JUST FINE

From the Galloway Girls series , Vol. 1

A breezy summer romance and journey toward self-discovery, buoyed by important themes.

Lily Hildebrand, 16, wants to “take life by the scruff of the neck,” and over a summer in Newton St. Cuthbert on the coast of Scotland, she endeavors to do just that.

After Lily’s boyfriend breaks up with her on their way home from prom, she decides that she needs something new to do and joins the town’s annual Gala Week planning committee. With Lily’s fresh ideas there’s plenty to organize, including flyers, a parade, and a regatta. Retiring classmate Tom Owen is also helping out, and strong-willed Lily at first underestimates him before recognizing that a special boy has been right there all along. As the summer unfolds, she learns that she can’t lead or plan her way out of every situation, and that uncertainty is OK—listening and asking for help aren’t weaknesses. This novel, written at a level that’s accessible to reluctant readers, touches on themes such as friendship, chronic illness, mental health, and allyship with the LGBTQ+ community. Plentiful details describing the coastal Scottish setting, good pacing, and a robust plot will keep readers engaged. Other strengths include the universally recognizable aspects of small-town life. Sarah, Tom’s sister who’s struggling with an undiagnosed illness, is particularly well drawn. While this series opener is narrated by both Lily and Tom, her character development is stronger; readers may be left wanting to know more about Tom. Main characters are cued white.

A breezy summer romance and journey toward self-discovery, buoyed by important themes. (Romance. 13-18)

Pub Date: Sept. 24, 2024

ISBN: 9781802635508

Page Count: 320

Publisher: Clock Tower Publishing

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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