Fans of historical fiction will like this unusual take on World War II.
America pits dollars against reichsmarks in this tale of economic warfare.
In August 1939, war has not quite begun. In Minnesota, government employee Ansel Luxford is horrified at the looming Nazi threat. He goes to work for the U.S. Treasury Department with a plan to fight Hitler: Dry up his source of money to purchase war materiel. Then hostilities begin, and if the U.S., which is legally neutral, is going to provide critical goods to France and Great Britain, it must also be willing to sell to Germany. How to get around that? Let the Germans know that they must pay in U.S. dollars and not reichsmarks, and make sure they don’t have those dollars to pay. And then “lend” the U.K. 150 million bullets and lots of military hardware, like tanks. That oversimplifies the plot, but that’s the gist. Using meticulous research, the author recounts a little-known aspect of the fight against the Nazis. All the characters and biographical details are historically accurate but for a few the author acknowledges at the end. The result is a painless tutorial in economic theory, with vigorous debates about the value of the dollar versus sterling. Once America is in the war, talk turns to the future: Could a world bank and an international monetary fund prevent future global conflicts? The story doesn’t show any dramatic pain suffered by the Germans, perhaps because a dollar desert and Nazi battlefield losses are hard to conflate in a scene. The characters are fascinating, such as Harry Dexter White, a senior U.S. Treasury official believed to have been a Soviet spy, and the brilliant and arrogant John Maynard Keynes. The author lifts Luxford from complete obscurity into quiet heroism, apparently well deserved. There’s a mystery about a displaced paper clip and a threat with an unloaded pistol, but little else titillates the senses. Still, the story flows well and will hold readers’ attention.
Fans of historical fiction will like this unusual take on World War II.Pub Date: May 21, 2024
ISBN: 9780593731925
Page Count: 384
Publisher: Random House
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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