by Gretchen Rubin ‧ RELEASE DATE: Sept. 4, 2012
Read Samuel Johnson instead.
A well-meaning but not especially insightful guide to deriving greater satisfaction in life by feeling “more at home, at home.”
In this sequel to her bestselling The Happiness Project (2009), Rubin explores some of the elements that influence happiness in domestic contexts. After being inexplicably “hit by an intense wave of homesickness” in the well-ordered world of her New York apartment, she created a plan to examine the concepts she saw as inextricably linked to her own personal satisfaction. “I took my circumstances for granted,” she writes. “[I] wanted to appreciate my life more, and to live up to it better.” Rubin began her learning project in September, just as her children were going back to school. She first took account of her possessions and the relationship she had to them and discovered that her material happiness came from wanting what she had rather than making efforts to have more or less. Rubin reached similarly mundane conclusions about other concepts in the months that followed. Marriage, family and parenthood took work, and time management was as essential as determining how to most meaningfully use it. Taking care of herself and feeling good were important because how she behaved influenced the happiness of those around her, and staying mindful of the present was the key to appreciating just “how fleeting [and] how precious” her seemingly ordinary days actually were. Rubin's aim is clearly to help people enhance their relationship to all things domestic, but the portrait of her privileged, relatively trouble-free home, along with the earnestness with which she speaks of being a “moral essayist” interested in delineating “the practice of everyday life,” make her look out of touch.
Read Samuel Johnson instead.Pub Date: Sept. 4, 2012
ISBN: 978-0-307-88678-1
Page Count: 320
Publisher: Crown Archetype
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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PROFILES
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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