HERMAN AND ROSIE

In bustling New York, anthropomorphic croc Herman and Rosie (a goat?) inhabit parallel lives until they discover they’re soul mates.

They live in tiny apartments in adjacent buildings. Herman plays oboe and sells “things” in a call center—until he’s canned for not selling enough of them. Rosie’s a restaurant dishwasher who takes singing lessons and gigs at a jazz club on Thursdays—until it’s shuttered. In pictures and text, Gordon cleverly foretells the pair’s entwined destiny, engaging readers conspiratorially as Herman and Rosie continually almost connect. Each, hearing the other’s music by chance, is mesmerized for days. Both love “watching films about the ocean” and turn to Cousteau documentaries for solace after their twin career setbacks. Traipsing the city (Gordon provides a map and key for their concurrent rambles), they simultaneously buy hot dogs from the same vendor—without meeting. Finally, Rosie hears “the familiar sounds of a groovy little jazz number” and leaps “to follow that tune.” The penultimate double-page spread shows them meeting—at last!—on Herman’s roof against a luminous full moon. The final page shows they’ve formed a quartet—The Cousteaus. Gordon utilizes vintage postcards, ledgers and maps to create collaged tableaux. Evocative of William Steig and Bernard Waber, the pictures at their best juxtapose New York’s duality: its cacophonous enormity and charming intimacy.

Sweetly celebrates artistic bonding in the Big Apple.