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ONE THOUSAND AND ONE NIGHTS

A RETELLING

A lovely book, and a wonderful revisiting of tales that, told once again, are meant to inspire—well, if not piety, at least...

Elegant, pointed retelling of the classic of medieval Arabian literature by Lebanese novelist and journalist al-Shaykh (The Locust and the Bird, 2009, etc.).

As Sir Richard Burton well knew, the tales that Scheherazade spun in order to keep from having her sultan husband chop off her head were full of erotic moments, explicit and implicit alike. Denatured into fables for children, the tales of Ali Baba, magical caves, flying carpets and Sindbad the sailor lost any such erotic possibilities, which al-Shaykh very gamely restores with the unmistakable conjuring of “[t]he stick, the thing, the pigeon, the panther, the shish kebab, the cock” and dizzying tales of noblewomen ravished by African slaves—in short, the sort of things that ought to find these once-tame stories a whole new audience. It’s not just the sex, but also the sexual violence and mistrust that run like a swift current below the stories. Says one sorrowful shah to his brother early on, “I caught my wife in the arms of one of the kitchen boys in her quarters before I set out to come to you. My anger took control and I avenged myself by slaying both of them and hurling their bodies in a trench, like two dead cockroaches.” It would take an accomplished psychotherapist and dream interpreter to plumb the depths of what al-Shaykh reveals of the relations, as fraught as any in Faulkner, of cloistered women and fearful men and those ever-watchful black slaves. Yet some of what the Arabian storytellers unleashed on their audiences, if we are to trust these versions, is utterly unveiled, as when a young woman tells her sisters, “I have learned a lesson: there is little that is good in marriage.” Readers of a nostalgic bent will be pleased to discover Sindbad in these pages, though a different one from the Sindbad of their youth. As a storyteller reporting Sindbad’s very own account of his adventures relates, “at times I was so terrified that I nearly shat myself.”

A lovely book, and a wonderful revisiting of tales that, told once again, are meant to inspire—well, if not piety, at least more humane behavior toward our fellow adventurers.

Pub Date: June 11, 2013

ISBN: 978-0-307-95886-0

Page Count: 320

Publisher: Pantheon

Review Posted Online: June 7, 2013

Kirkus Reviews Issue: June 15, 2013

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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