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THE WOMAN FROM HAMBURG

AND OTHER TRUE STORIES

From Krall, herself born in 1937, conscience-driven reconstructions of lives that lie forever in ruins. Invaluable.

Polish-born journalist Krall (Shielding the Flame, 1986, etc.) writes true stories about real people, but does so using fiction’s methods. All of her people were in or were touched by the Holocaust.

In the title story, featured in The New Yorker’s “fiction” issues (Dec. 20 and 27, 2004), a woman, using increasingly larger pillows, pretends to be pregnant and give birth—so she can raise the baby of the pregnant Jewess she and her husband are closeting from the Nazis. “Phantom Pain” is the riveting family history of a young German baron (Axel von dem Busche) who ends up in the fighting on the eastern front—and becomes part of the assassination plot against Hitler. The rich vibrancy of Jewish life in Polish villages and towns—and the horror of its extermination—are made real all over again in the story of a man who, having survived, is drawn compulsively back to the now-empty places (“Portrait with a Bullet in the Jaw”). A man in “Only a Joke” is obsessed with the seven years of his childhood—a childhood that ended with the Warsaw Uprising. “The Back of the Eye” brings events up to the 1970s and the years of Cohn-Bendit, while in “The Dybbuk,” an American professor and survivor knows that his doomed six-year-old brother still lives inside him. “The Chair” is the pitiable tale of a group in hiding who kill the old man whose cough is going to give them away, and in “A Fox,” an aging pair of survivors live in a prewar past that has been utterly annihilated. And the utterly extraordinary “Hamlet” is the life story of the fiercely talented and troubled musician Andrzej Czajkowski, who, born in 1935, was a “hidden child,” left behind by his mother as she successfully went over to “the Aryan side.”

From Krall, herself born in 1937, conscience-driven reconstructions of lives that lie forever in ruins. Invaluable.

Pub Date: June 1, 2005

ISBN: 1-59051-136-0

Page Count: 264

Publisher: Other Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2005

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Readers Vote
  • 19


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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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