SUNBRINGER

In a world where old gods can pass away, new divinities may be born.

Hseth, the fire god whose cult murdered Kissen’s family in Godkiller (2023), is no more. However, problems continue to mount for the intrepid young warriors who managed to kill her. The orphaned Inara and her minor-god companion, Skedi, persevere on a seemingly unending search for answers—she to the questions surrounding her paternity, he to an illustrious past he cannot recall. In the aftermath of the climactic battle, King Arren has chosen a path that his best friend, Elo the baker-knight, cannot bring himself to follow, and Elo must reckon with the ramifications of turning his back on his liege. Just as Arren stokes the fires of his own illicit cult—with himself as figurehead—a resistance movement to save what remains of the world’s outlawed gods begins to heat up. Unable to come to terms with Elo’s desire to keep her away from the dangers of war, Inara makes a rash decision that ultimately sets the stage for mass unrest shortly before Arren’s victory tour arrives at their doorstep. Meanwhile, a presumed-dead Kissen fights her way back from the shores of the god who saved her life, only to find herself at odds with her friends’ and family’s goals. You see, Elo, Inara, and the rest have forgotten one very simple rule: Dead gods can always come back. Tested alliances fuel this tightly plotted found-family thrill ride. The worldbuilding is complex, but the reader never feels bogged down beneath its weight. As with the previous installment, queerness and disability are woven into the fabric of the narrative; Kissen and her sisters are queer and disabled, a prominent secondary character is transgender, and several tertiary couples are gay and lesbian. Although the pacing does become a little too frenetic in the novel’s final chapters, as the point of view switches rapidly among protagonists, Kaner has penned another page-turner in this projected trilogy.

A bold series continuation from a fantasy author to watch.