While the fantasy worldbuilding often goes heavy on magical argot, this series kickoff makes a decent foundation for...
After her archaeologist uncle and his associate are slain by mystery fiends, Boston teenager Norah goes on the run; she is both hunted and protected by more-than-human warriors in this young adult novel.
The best conceit of author Clark’s fair opening to a planned YA fantasy series sort of lurks in the background scenery and takes a while to catch the viewer’s attention: Imagine a modern world in which fantasylands such as Atlantis and Hyperborea (Conan the Barbarian’s realm) were accepted historical facts. Thus, in the present day, intrigue surrounds their lost relics and lingering power. Except Clark focuses on her own mythic MacGuffin, an Icelandic civilization from 280 million years ago called Cobbogoth. There, the natives possessed mystic-crystal technology and enhanced cell structures giving them long lives and superpowers, and a sort of werewolf-bat-demon species called Dogril lurked. Norah Luken, 17, is a chosen-one type living in modern-day New England. Her uncle Jack, an archaeologist, explored the Cobbogothian ruins, even making scientific history by unearthing a Dogril skeleton. When Jack is brutally slain and his closest colleague ends up likewise, stunned Norah becomes the cops’ prime suspect. With her photographic memory and fragments of knowledge that Jack had, in fact, met with real, live Cobbogothians and found the great subterranean Cobbogoth city, Norah careens from one mysterious guardian-type to another (“I’m one of the last three qualdrine-wielding Naridi,” explains one Nordic hunk). The action (some of which causes pretty ghastly wounds, but the good guys invariably bounce back via crystal EMT) gets further and further from the mundane, human world and into the Cobbogothian one; amid all the nomenclature, shape-shifting characters and teleportation into TARDIS-like environments (ones that are bigger on the inside than the outside), Norah has a tough time telling up from down and friend from foe. Readers may be equally confused, though appreciable thought has gone into the author’s dense system of “elementalist” magic and pantheon of gods and demigods, more so than the typical dragons/Vikings stew. Stylized illustrations and marginalia are handsome touches, resembling the art of illuminated manuscripts more so than comic-book literal renderings.
While the fantasy worldbuilding often goes heavy on magical argot, this series kickoff makes a decent foundation for forthcoming mystic crystal revelations.Pub Date: Nov. 10, 2011
ISBN: 978-1463732318
Page Count: 336
Publisher: CreateSpace
Review Posted Online: Aug. 20, 2012
Review Program: Kirkus Indie
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...
In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.
As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)Pub Date: April 1, 1993
ISBN: 978-0-395-64566-6
Page Count: 208
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
Black is building a complex mythology; now is a great time to tune in.
Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.
Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.
Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)Pub Date: Jan. 2, 2018
ISBN: 978-0-316-31027-7
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Sept. 25, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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