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HEY, DIDDLE, DIDDLE

An adequate introduction to whet babies' palates for more substantial nursery fare.

More than 15 traditional rhymes make up this gentle collection for the youngest listeners.

Despite the venerable nature of the rhymes, there's plenty of modern appeal. Old Mother Hubbard drives her convertible to the market; a young mother pushes her child (Peter Piper) in the grocery store's cart in search of pickled peppers. Tradition takes a backseat to a nursery aesthetic. With her brood of children, the little old lady remains all smiles in her cozy shoe. “She gave them some broth / with plenty of bread. / Then kissed them all sweetly / and tucked them in bed.” Endpapers feature the titular rhyme's spoon and plate holding hands as they race off the page. Sometimes animals play the lead. A mouse couple (Jack Sprat and his wife) devour their meal, and a canine Yankee Doodle rides his pony. Though there is a nod to diversity, by and large, the humans are white. Animals and people share the spreads; pastel shades keep the edges soft.

An adequate introduction to whet babies' palates for more substantial nursery fare. (Board book. 0-3)

Pub Date: March 1, 2012

ISBN: 978-1-58925-870-9

Page Count: 20

Publisher: Tiger Tales

Review Posted Online: June 12, 2012

Kirkus Reviews Issue: July 1, 2012

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A LIBRARY

A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.

A love letter to libraries.

A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)

A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)

Pub Date: Sept. 27, 2022

ISBN: 978-0-358-38765-7

Page Count: 32

Publisher: Versify/HarperCollins

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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DIGGER, DOZER, DUMPER

While there are many rhyming truck books out there, this stands out for being a collection of poems.

Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.

Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.

While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)

Pub Date: Aug. 27, 2013

ISBN: 978-0-7636-5078-0

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 28, 2013

Kirkus Reviews Issue: June 15, 2013

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