A remarkably frank and finely sieved account of two people approaching the ultimate parting of the ways.
A husband and wife living in Italy confront the man's imminent death from cancer in a meditation on relationships, loss, and identity in every facet of existence.
Noted Norwegian writer Ørstavik’s new, novella-length work hints at autobiography, introducing an unnamed narrator who is a Norwegian novelist relocated to Milan, as the author has done, with an oeuvre that includes Love, one of Ørstavik’s own books. The narrator is deferring her next novel to write this penetrating chronicle of her partner’s decline. When did his cancer begin, she wonders, tracing their four years together, the trips, the timing of his proposal (after his diagnosis), and settling on spring 2018 when “the energy went out of you.” Now, in 2020, he is dealing with rapidly advancing illness and extreme pain while she is tending him, writing (her way of existing), and confronting their differences at a crucial junction. Why does he choose not to discuss his death, less than 12 months away? How much strength is he using to avoid knowing? Throughout the brief text, the statement “I love you/Ti amo” is repeated and exchanged like a tolling bell as the couple both unites and divides in the face of inevitable extremis. Meanwhile, Ørstavik maintains a brutally tender, hyperprecise gaze: “For a long time just looking at you was painful to me, I couldn’t look at you without the knowledge that you’re going to die….And even though it’s not that acute anymore, it still won’t pass, now it’s quieter in a way, normal almost, death has become an attendant presence.” Yet, dark though its central topic undeniably is, the novel shares a compassionate vision, bridging the gulf between the one who will go on and the one who will not: “What I’ve been writing is the most truthful way I’ve been able to be with you, with all that cannot be said between us in our days together.”
A remarkably frank and finely sieved account of two people approaching the ultimate parting of the ways.Pub Date: Sept. 13, 2022
ISBN: 978-1-953861-44-3
Page Count: 200
Publisher: Archipelago
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
BOOK REVIEW
BOOK REVIEW
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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