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THE SNOW QUEEN

A deep subtext of love and loss, childhood and awakening, power and trust resonate through these pages at least as strongly...

One of the great illustrators of our time takes on one of the knottier Andersen fairy tales, producing a gorgeous and winning result.

MacDonald’s retelling hews closely to Andersen’s original in all its complexity but without its Christian allusions. It begins with a prologue: A wicked troll creates a mirror in which everything good looks hideous, and everything evil looks entrancing. The mirror breaks into millions of tiny pieces and pollutes the world. In winter, when Gerda’s grandmother tells the story of the Snow Queen to Gerda and her friend Kai, the window flies open, and Kai is pierced by a tiny shard of the troll mirror. He insults Gerda, dashes outside and is whisked away on his sled by the Snow Queen herself. Gerda does not believe he is dead and searches through many adventures and adversities to find and rescue him. Ibatoulline’s paintings are a wonder of form and color. On one spread, the icy queen wraps Kai completely in her blue and gray fur blanket; on the next, Gerda takes a boat on a sunlit river in a golden spring to find him. There are princesses and robbers, mysterious crows and talking reindeer. Ibatoulline renders the northern lights more exquisitely than any photograph.

A deep subtext of love and loss, childhood and awakening, power and trust resonate through these pages at least as strongly as the magnificent images. (Picture book/fairy tale. 7-12)

Pub Date: Oct. 1, 2013

ISBN: 978-0-06-220950-4

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 2, 2013

Kirkus Reviews Issue: Aug. 15, 2013

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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