A fair middle chapter in the series, which will undoubtedly appeal to Turtledove’s fans.
Turtledove (The War That Came Early: The Big Switch, 2011, etc.) delivers the fourth installment in his latest series, depicting an alternate-history version of World War II.
This grandly staged what-if series began with Turtledove’s 2009 novel Hitler’s War, which portrayed an alternate version of WWII starting with a 1938 German invasion of Czechoslovakia. (In the real world, the war began in 1939 when the Nazis invaded Poland.) A domino effect of divergent events followed in the next two books. As this book opens in January 1941, British and French forces have joined with Germany against the Soviets, while the U.S., fighting Japan, is staying out of the European conflict. Soon, however, a governmental coup in England begins a shifting of alliances. As with previous books, Turtledove tells his story through many different characters—frontline soldiers, civilian Americans and persecuted German Jews, among others—while major historical figures, such and Hitler and FDR, exist solely in the background. (Winston Churchill, however, has already met an untimely end.) Turtledove’s huge cast is a testament to his commitment to worldbuilding, but the constant scene shifts make the story feel a bit scattered, and some plotlines, such as the English situation, are more consistently interesting than others. For the most part, the story merely inches along, which may tax the patience of all but the most ardent WWII aficionados. While the book’s grand scope and Turtledove’s impressive historical knowledge are admirable, this installment seems to be merely laying groundwork for more earthshaking events to come.
A fair middle chapter in the series, which will undoubtedly appeal to Turtledove’s fans.Pub Date: July 31, 2012
ISBN: 978-0-345-52465-2
Page Count: 432
Publisher: Del Rey/Ballantine
Review Posted Online: May 28, 2012
Kirkus Reviews Issue: June 15, 2012
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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