by Haydn Shaughnessy ‧ RELEASE DATE: Jan. 12, 2015
Engages some worthwhile themes, often tangled in dense prose.
A scholarly look at how technology has radically transformed the world of commerce, coupled with advice for how to navigate this new landscape.
In his second book, Shaughnessy (The Elastic Enterprise, 2012) contends that business has undergone an elemental shift (hence, the title) into an entirely new era. Business is becoming less transactional, more focused on fostering communities instead of merely peddling products; less encumbered by an emphasis on raw materials, more indebted to “near-free” labor and the open-source movement. The consumer, too, has been transformed within an economy that lionizes individuality and self-sufficiency and encourages the expansion of his or her needs. While risk was once largely shouldered by massive corporate institutions, it has now been redistributed to smaller organizations, including startups and the self-employed. Mobile technology has for the first time created a truly global market, diminishing the significance of the physical boundaries that once constrained trade. The grand result is systemic “disruption”—lately an overused term—and the introduction of innovation not yet entirely supported by the markets, current business practices, or governmental policies. Shaughnessy diagnoses these changes and recommends how businesses, individuals, and governments can become more nimble, acclimating themselves to a new world characterized by “constant flux.” The author, a trained economic historian, ably imparts many insights, especially concerning the reforms governments should adopt in order to remain relevant and to encourage the best of what modern commerce has to offer. Shaughnessy’s book also makes an intriguing argument that such a radically new economy requires a new metric for gauging success, one that focuses on the capacity for change rather than more traditional measurements. He discusses at some length how this metric—called Key Capability Indicators—works. However, whatever wisdom the book imparts is largely undermined by writing cluttered by gratuitous hypertechnicality. Sometimes, the result is mere pretention: what is gained by using “velocity” to describe a business’ speed rather than the word “speed” itself? Why “geographical entities” instead of “places?” Even worse is when key concepts—like “ecosystem”—are explained through the endless production of cryptic metaphor, here in an entire chapter called “The Ecosystem Metaphor.” Readers will also tire of terms like “disintermediated economy,” “nonenclosed value creation,” and “transactional friction.”
Engages some worthwhile themes, often tangled in dense prose.Pub Date: Jan. 12, 2015
ISBN: 978-1-941420-03-4
Page Count: 396
Publisher: Tru Publishing
Review Posted Online: Aug. 27, 2015
Review Program: Kirkus Indie
Share your opinion of this book
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by E.T.A. Hoffmann
BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Share your opinion of this book
More by Ludwig Bemelmans
BOOK REVIEW
developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.