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WINK by Henry Herz

WINK

Young Adult Tales That Wink At Classic Children's Books

edited by Henry Herz ; illustrated by Adam Gustavson

Pub Date: June 29th, 2024
Publisher: Brigids Gate Press

In this anthology, a bevy of authors deliver a collection of YA SF and fantasy tales, each inspired by a literary classic.

In Leah Cypess’ “The Scent of Cotton Candy,” Julia is worried about her teenage brother, who’s seemingly obsessed with tracking down their former nanny. Julia can’t help but wonder why this nanny, who’s capable of magic, is so invested in children. This story, like the others in the book, takes ideas from a “childhood classic” and spirals off into a markedly different direction. The new takes often go darker; for example, Seanan McGuire’s “Special” follows a narrator who believes “Bad People” don’t share—and their way of making others share leads to a spine-chilling turn (“we’re going to play the biggest game of Secret Laboratory there’s ever been”). In some cases, the inspiration (cited at the end of each tale) isn’t immediately clear. That’s certainly true for Stacia Deutsch’s “Other Earth,” in which people have evacuated Earth to survive inside the Bubble, an artificial atmosphere (not everyone agrees with the plan to expand the Bubble when it involves cutting down oxygen-providing trees). The stories are also linked by similar genres and themes: The SF/fantasy yarns smartly cover such topics as artificial intelligence, post-apocalyptic worlds, and alternate dimensions. It’s not all doom and gloom, however; the clever “My Science Project,” courtesy of editor Herz, zeroes in on high school science/SF nerd Wes. One day, he video chats with two cosplayers in top-notch froglike masks, only to discover that they may actually be the aliens they claim to be. This impressive gathering of authors includes Maggie Stiefvater, Jonathan Maberry, Kendare Blake, and Nancy Holder. The writing is pithy throughout, instantly dropping readers into narratives that thrive on engaging characters and unpredictable, diverting turns. Gustavson’s striking black-and-white artwork prefaces each tale and often hints at the source of inspiration, like a familiar hat for Stiefvater’s “State of Mind.”

A superb collection of genre stories that prove just as rousing as their inspirations.