by Hester Kaplan ‧ RELEASE DATE: Jan. 8, 2013
An initially intriguing but ultimately disappointing effort.
A stranger comes to town, upsetting the heretofore placid lives of a couple.
Providence, R.I., is the setting for what at first blush appears to be a standard tale of two yuppies struggling to maintain their bourgeois bonhomie against an increasingly unforgiving urban landscape. Owen, 40, and his wife of six years, Mira, live in the house where she grew up, which became hers when her parents were killed in a car accident. Mira runs a private art school which is perennially short of cash. Owen teaches in a doomed public school and tries to instill hope in his students. When Wilton, a former sitcom star, moves into the adjacent house, his first act is to hijack Owen’s and Mira’s daily routine. Soon, contributing gourmet staples bought with his Hollywood wealth, he’s sharing most meals with the couple. He’s moved from LA to Providence hoping to bond with his long-estranged daughter, Anya. All three principals harbor a secret shame. Thanks to Owen’s cowardice, his girlfriend was killed in a restaurant shooting. Mira’s father was having an affair with her mother’s best friend. Wilton came close to crashing his car with toddler Anya in it. Wilton’s advent sparks a strange triangulation, sowing distrust between Mira and Owen as to whose friend he really is. Mira and Wilton start spending evenings at the casino. Wilton and Owen trade confidences. Minor characters play out the themes of disconnection and attachment, New England style, including Owen’s father, a recluse who lives on a pond with several cats until he’s rescued by a condo-dwelling matriarch. Mira’s gambling, predictably, becomes an addiction. As Anya circumspectly approaches Wilton, discord between Mira and Owen escalates until, too abruptly, Owen is contemplating violent solutions to his soured relationships. Although the prose is competent enough, it often serves more as atmospheric filler than as a vehicle for elucidating the characters’ myriad dilemmas. The action, instead of building to a satisfying conclusion, merely unravels.
An initially intriguing but ultimately disappointing effort.Pub Date: Jan. 8, 2013
ISBN: 978-0-06-218402-3
Page Count: 352
Publisher: Perennial/HarperCollins
Review Posted Online: Sept. 26, 2012
Kirkus Reviews Issue: Oct. 15, 2012
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by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2018
A tour de force.
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New York Times Bestseller
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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