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MENCKEN'S LAST CAMPAIGN

H. L. MENCKEN ON THE 1948 ELECTION

The '48 presidential campaign was Mencken's last hurrah; soon he would suffer a massive stroke and dwindle into silence. But how could the great curmudgeon resist the '48 conventions? American politics was in spectacular disarray, and Mencken loved it. Joseph Goulden has edited and provided an introduction to Mencken's savaging of the candidates and their sideshows: Dewey, Taft, Truman, Henry Wallace leading away the Progressive pack, Strom Thurmond and the Dixiecrat walkout. No one looks to Mencken for fairness; malice toward all and charity for none was his credo. He judged politicians as performers—orators, buffoons, circusmen. He had a magnificent ear for the inanities of campaign speeches, the cacophony of bands and choirs, the "loud brassy politicianesses" who festooned the platform; his eye took in the banal placards, the Republican minions in "their seersucker suits and sweatproof plastic collars," the pawing and nuzzling of the delegations. Some pronounced his early campaign coverage a bit subdued; he warmed to his task with the coming of the "Wallace evangel," mocking the gathering tribes of "Negro Elks. . . Armenian Youth of America, the National Council of Women Chiropractors" and the rest of the motley band that clustered around "Swami" Wallace. Conservatives and reactionaries will continue to claim him, with some justification. Mencken was an implacable foe of the New Deal and Truman, a snide anti-feminist, a jeering red-baiter. But this is at least partly to miss the point: Mencken the journalist could cut through the flummery of party politics like no one else. Would that he were around to write up the '76 election.

Pub Date: July 13, 1976

ISBN: 0915220180

Page Count: 160

Publisher: New Republic

Review Posted Online: May 21, 2012

Kirkus Reviews Issue: July 1, 1976

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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