An often enjoyable but uneven mix of romance, domesticity, and action.
What starts as a typical self-empowerment novel about a family attempting to start a new life in Hawaii after tragedy takes some unexpected noirish turns midway through.
Two years after her husband Paul’s drowning in Oregon, Welsh-born Lindsey Hill moves with her three children to Hawaii, where she’s purchased a motel—sight unseen—with life insurance money that's finally been paid out after Paul's surfing death was ruled accidental. Still grieving Paul, Lindsey is also contending with the chaos his financial failures caused in the months before he died. Sloan writes about the entire family with energy, insight, and humor (like the physical comedy surrounding the aged Crown Victoria that Lindsey rents the first day, crashes before exiting the rental agency’s parking lot, and ends up buying). Of course the Mau Loa Motel turns out to be beautiful but more run-down than Lindsey expected; of course she is emotionally numb until a handsome stranger shows up and helps with repairs while stirring her heartstrings; of course 14-year-old Olivia has trouble adjusting to high school until she meets a boy and his brother, while 7-year-old animal lover Sena is uber-precocious and 12-year-old Carlos is a sensitive pleaser who covers his own pain while protecting the others. Slowly they start recovering in all the conventional ways before Sloan shifts gears to include elements of crime fiction. Unfortunately, the plotting, while less predictable than a standard domestic dramedy, becomes more stilted as the male characters, who never quite gel, take prominent roles. It turns out that the men in Lindsey’s life have not always been what they seem, a truth her children figure out before she does. A raging storm bearing down on the motel with everyone inside becomes the novel’s piece de resistance and raises the stakes for everyone involved, including readers, before a disappointingly easy denouement.
An often enjoyable but uneven mix of romance, domesticity, and action.Pub Date: May 9, 2023
ISBN: 9781250847300
Page Count: 272
Publisher: Flatiron Books
Review Posted Online: Feb. 23, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
BOOK REVIEW
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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