Next book

AS GOOD AS DEAD

From the Good Girl's Guide to Murder series , Vol. 3

Intricately plotted and heart-pounding.

Everything comes full circle in this trilogy closer.

It’s not easy being Pippa Fitz-Amobi: Max Hastings, a teen rapist who was found not guilty, is suing her for defamation. She blames herself for the death of local journalist Stanley Forbes, who was revealed to be the child of a serial killer, but she also feels a kinship with his killer, Charlie Green, who is on the run. To cope with her PTSD, Pip takes Xanax purchased from drug dealer Luke Eaton, who indirectly supplied the late Andie Bell, the subject of her first case. Pip is used to online threats, but one message has been appearing again and again: “Who will look for you when you’re the one who disappears?” Someone is leaving dead pigeons in Pip’s front yard and mysterious chalk figures in her driveway, but Detective Hawkins doesn’t believe there’s a pattern and refuses to investigate. Research into her own stalker leads to an imprisoned serial killer who supposedly confessed, but the connections are striking, and Pip fears the police may have the wrong man. This volume centers on a psychologically traumatized Pip, whose actions inhabit morally gray areas till the very end. Her romance with Ravi Singh is a much-needed balm, but their love is tragically tested. A particular strength is the way elements in this novel connect with clues from earlier entries. Pip’s mother is cued as White and her father, as Black; Ravi is of Indian descent.

Intricately plotted and heart-pounding. (Mystery. 14-18)

Pub Date: Sept. 28, 2021

ISBN: 978-0-593-37985-1

Page Count: 464

Publisher: Delacorte

Review Posted Online: Aug. 17, 2021

Kirkus Reviews Issue: Sept. 1, 2021

Next book

IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

Next book

STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

Close Quickview