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THE LAST GOODNIGHT

A WORLD WAR II STORY OF ESPIONAGE, ADVENTURE, AND BETRAYAL

Occasionally breathless and torrid in description, this is a well-documented work that certainly never bores.

Fascinating portrait of an accidental but very effective female American spy at the fraught early stages of World War II.

Vanity Fair contributing editor Blum (Dark Invasion: 1915: Germany's Secret War and the Hunt for the First Terrorist Cell in America, 2014, etc.) finds an intriguing, beguiling subject in Betty Pack, the Minneapolis-born wife of a British diplomatic functionary who fell into the world of espionage. Born Amy Elizabeth Thorpe to a Marine father and Minnesota bluestocking mother, Pack, “by nature a restless and solitary girl,” married the British diplomat Arthur Pack out of desperation in 1930, not only because of her pregnancy, but also to escape the provincial U.S. and see the world. After a diplomatic stint in Chile, when she recognized that she and her husband were fatally incompatible, and then Madrid, she became radicalized by the Spanish Civil War. Though she sympathized with the Fascists, she had to play both sides in order to secure supplies for the rebels as well as spring her lover from prison. At her husband’s next posting, in Warsaw, Pack was recruited into British intelligence, specifically William Stephenson’s British Security Coordination, which wanted desperately to know about the Polish attempts to crack the German Enigma code. With her excellent diplomatic cover and her reckless highflying flair, which Blum portrays with brio, Pack was enlisted to seduce high-level Polish official Count Michal Lubienski, among others. Posted next to Washington, D.C., Pack was ordered to use her skills at “discreet entertaining” to get possession of the Italian naval cipher, which she dutifully accomplished by bedding the Italian naval attaché Alberto Lais. Subsequently, and rather incredibly, she was able to break into the Vichy French Embassy and secure their naval ciphers. Reading more like a suspense novel than history, Blum’s account brings an unsung heroine to vivid life.

Occasionally breathless and torrid in description, this is a well-documented work that certainly never bores.

Pub Date: April 12, 2016

ISBN: 978-0-06-230767-5

Page Count: 544

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 8, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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