No Catcher in the Rye angst here. Instead you'll find a welcome dose of nostalgic realism laced with hard-edged wisdom.
Mosher (The Great Northern Express, 2012, etc.) finds a coming-of-age story in God’s Kingdom, "up in the little known mountains of northern Vermont hard by the Canadian border."
The tale follows Kinneson fathers and sons across the centuries, as revealed by the curiosity of high schooler and budding writer Jim Kinneson during the early 1950s. Described in Prairie Home Companion–like storytelling chapters, the Kingdom Kinnesons originate with Charles, who trekked into "Territory but Little Known" in 1759 and led a massacre of Abenaki Indians, only to return later and marry Molly Molasses, an Abenaki. In the early 19th century, "Abolition Jim" Kinneson was killed by federal troops because he led God's Kingdom to secede from the United States over the issue of slavery. In blackly comic stories, often melancholy or ripe with realism, characters are shaped by a land of isolated beauty, where winter weather can linger far below zero. Teetotaling Kinnesons once operated the Water of Life whiskey distillery, and they live on the "farm that wasn’t," which only begins to flourish in Jim's time under the stewardship of the itinerant Black Canadian Dubois family. Sadly, it’s young Gaëtan Dubois, math genius and hockey demon, who learns "the great dangers of this place they called God’s Kingdom lay closer to home." Amid hunting and fishing, baseball and school, Jim falls in love with a beautiful girl from the Île d’Illusion, worships his grandfather, and uncovers the ugly truth about "the trouble in the family" between great-grandfather "Mad Charlie" and his best friend, the Rev. Doctor Pliny Templeton, an escaped slave, Princeton seminary graduate, war hero, and founder of Kingdom Common Academy.
No Catcher in the Rye angst here. Instead you'll find a welcome dose of nostalgic realism laced with hard-edged wisdom.Pub Date: Oct. 6, 2015
ISBN: 978-1-250-069481
Page Count: 240
Publisher: St. Martin's
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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