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WALKING TO GATLINBURG

We are in the hands of a skilled storyteller, and every word matters. A captivating story, and one that cries for a sequel.

There are two good reasons to go to Gatlinburg. One is to visit Dolly Parton’s theme park. Mosher (On Kingdom Mountain, 2007, etc.) limns the other in this expertly written novel.

Longtime readers of Mosher will not be surprised to find that his latest opens on ground well trod in other novels: the mountain country of northern Vermont, and specifically Kingdom Mountain, his Yoknapatawpha County. Morgan Kinneson is an exceedingly bright 17-year-old who has spent his young life exploring every corner of the mountain, becoming so knowledgeable about the place that he and his older brother Pilgrim had brought the pioneering naturalist Louis Agassiz “to the mountaintop to examine the glacial erratics, boulders brought down from the Far North by the great ice sheet.” Things have changed now, for Pilgrim, who had been packed off to college, has joined the Union Army and has now gone missing at the Battle of Gettysburg. Helping a runaway slave make his way north to Canada, Morgan is attacked by mysterious renegades—or are they rebel spies?—who want something of the fugitive’s. That something (readers of On Kingdom Mountain might just have a clue as to what it is), and perhaps a curse on his “yallow head” by one of his fallen tormentors, puts Morgan on a run that takes him to the still-fresh battlefield, down the back of the mountains and deep into the Confederacy in search of his missing brother. Morgan battles illness and attendant hallucinations, enjoys a “peaceful interlude in the heart of the land of the Brethren,” spends time in the rebel capital, falls in love and otherwise has grand adventures that would seem improbable in lesser hands. And if a long walk through the Civil War–era South seems familiar, consider the author of the echoing book one of those lesser hands by comparison with Mosher, who closes with a grand unexpected moment that, on reflection, makes perfect sense.

We are in the hands of a skilled storyteller, and every word matters. A captivating story, and one that cries for a sequel.

Pub Date: March 2, 2010

ISBN: 978-0-307-45067-8

Page Count: 352

Publisher: Shaye Areheart/Harmony

Review Posted Online: Dec. 24, 2010

Kirkus Reviews Issue: Feb. 15, 2010

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WE WERE THE LUCKY ONES

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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