by Howard Jacobson ‧ RELEASE DATE: Jan. 21, 1994
Despite some nice miniatures, a snide, rather pointless, lazy book.
In his fiction (Redback, 1987; Peeping Tom, 1985, etc.) and now with this travelogue/sociologue/personalogue about his semi-Jewishness, Jacobson seems fated never quite to cast off the perception of him as a Philip Roth wannabe perpetually one step behind (both in talent and intellectual plasticity) his American master.
Given a deal by the BBC and PBS to wander Jewish venues such as the Concord resort, the Simon Wiesenthal Center, Israel, and his grandparents' Lithuania, Jacobson is ever defensively atwitter, waving the antenna of his jokey skepticism. He detests the religious like the Lubavitcher Rebbe and the Hasidim of Jerusalem not only because they no doubt would be scandalized by Jacobson's gentile wife and his own secularism but also on the grounds of aesthetics: "How is it that austerity on matters of religious faith and ritual almost invariably accompanies laxity in matters of art, music, proportion, tact, ethics, manners, civic probity, passing decency and whatever else you can think of that isn't religious faith and ritual.'' Had he spent less time flexing his condescension, Jacobson might have been able to arrive at some provisional conclusions as to why (there are an established few, after all, not all of them anti-Semitic, too)—but, instead, his screed is wrapped inside a Carnegie Deli corned-beef sandwich of wise-guy superiority and overeducated disaffiliation.
Despite some nice miniatures, a snide, rather pointless, lazy book.Pub Date: Jan. 21, 1994
ISBN: 0-87951-521-X
Page Count: 502
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1993
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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