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PARNELL AND THE ENGLISHWOMAN

The Irish playwright Leonard (the Tony-winning Da; two memoirs, Home Before Night and Out After Dark) turns to fiction with a witty, glitteringly dramatic treatment of the by-now mythic love affair of Charles Stewart Parnell (1846-91), the Irish leader who fired the drive for Home Rule, and English-born Kitty O'Shea. The affair eventually ended Parnell's leadership and shattered the unity of the Irish party in Parliament. Kitty O'Shea married handsome Willie—the vain, weak, and shifty son of a Dublin solicitor who had edged into Parliament from County Clare—through a regrettable impulse, and now, at 35, she feels ``hardly used'' by life. The meeting with tall, gaunt, ailing Parnell (the lion she had not yet netted for a dinner party) is as brief as the swing of a sluice gate—the two adamantine egos are well matched. Leonard's Parnell, who, growled the Irish Secretary, ``cold-bloodedly incited the Irish to peace,'' detests the noisy adoration of ``dear old Ireland'' and has the aristocratic pride of Lucifer ``who chose to fall sooner than serve.'' Kitty, who insists that Parnell carry the generally detested Willie on his coattails because she needs a husband of status, declares, ``Not because I care for him. I care for myself!'' Meanwhile, whether in cool amusement or cold fury, Parnell, the brilliant political tactician, collects thorny victories—and enemies, principally among his most devoted lieutenants. No slouch at tactics herself, Kitty at one point skewers Willie, who finally learns that two of their children are Parnell's, and loses a legacy. There are runnels of scandal, divorce, marriage, and the Irish party ``takes its own life.'' First-class portraiture—from the Grand Old Spider Gladstone to Tim Healy, a ``lover betrayed,'' and, of course, the lovers themselves, brilliantly realized, who labor on through mighty times.

Pub Date: May 1, 1991

ISBN: 0-689-12127-X

Page Count: 256

Publisher: Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1991

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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