A moving celebration of love.
A fisherman and a merman find love by the sea.
Nen, a merman with a golden fishtail, loves exploring the world of humans. One day, as he swims close to shore, he notices that one of the fishermen seems different from the others. Ernest is gentle and creative, and he rescues sea birds accidentally snared by nets. Both are lonely, and when they meet one night under the moon, they fall in love. Nen’s father, Pelagios, frustrated at Nen’s insistence on interacting with humans, who are hurting the ocean, creates a storm that pulls Ernest under. But Nen saves him, and Pelagios sees that he was wrong. In the end, Ernest and Nen meet happily at the shore, sitting on the rocks and holding hands. The ending is a pleasant departure from the “Little Mermaid” template; neither man needs to fundamentally change who he is so they can be together. It’s a tender fairy tale with no heavy-handed moral, though the importance of love and of respecting the ocean comes through clearly. The illustrations have a sketchy simplicity to them, but they are sweet and moody, with the warm colors depicting Nen and Ernest standing out against an ocean of blues and grays. There are also plenty of cute sea creatures to spot. Young readers who appreciate fairy tales, love stories, or mermaids will be enchanted. Nen and Pelagios are brown-skinned and dark-haired, while Ernest has pale skin and red hair.
A moving celebration of love. (Picture book. 4-8)Pub Date: April 2, 2024
ISBN: 9781499815931
Page Count: 32
Publisher: Little Bee Books
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As insubstantial as hot air.
A diverse cast of children first makes a fleet of hot air balloons and then takes to the sky in them.
Lifestyle maven Gaines uses this activity as a platform to celebrate diversity in learning and working styles. Some people like to work together; others prefer a solo process. Some take pains to plan extensively; others know exactly what they want and jump right in. Some apply science; others demonstrate artistic prowess. But “see how beautiful it can be when / our differences share the same sky?” Double-page spreads leading up to this moment of liftoff are laid out such that rhyming abcb quatrains typically contain one or two opposing concepts: “Some of us are teachers / and share what we know. / But all of us are learners. / Together is how we grow!” In the accompanying illustration, a bespectacled, Asian-presenting child at a blackboard lectures the other children on “balloon safety.” Gaines’ text has the ring of sincerity, but the sentiment is hardly an original one, and her verse frequently sacrifices scansion for rhyme. Sometimes it abandons both: “We may not look / or work or think the same, / but we all have an / important part to play.” Swaney’s delicate, pastel-hued illustrations do little to expand on the text, but they are pretty. (This book was reviewed digitally with 11.2-by-18.6-inch double-page spreads viewed at 70.7% of actual size.)
As insubstantial as hot air. (Picture book. 4-8)Pub Date: Nov. 10, 2020
ISBN: 978-1-4003-1423-2
Page Count: 32
Publisher: Tommy Nelson
Review Posted Online: Jan. 18, 2021
BOOK REVIEW
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