by Ian Frazier ‧ RELEASE DATE: Jan. 13, 2026
Frazier is an exemplary prose writer, and aspiring practitioners couldn’t ask for a better textbook.
A greatest-hits collection by the journalist and prolific author.
Frazier was born to be a magazine writer, quick to discern between a meaningful vignette and a subject for a long-form story. Here he gathers examples of both, originally published in venues such as the New Yorker and the Atlantic. The vignettes are everywhere, sketches that probe little-known corners of the human experience, such as a prize-winning rodeo bull rider from Kingston, New York, who didn’t have to travel far to win again at “Loretta Lynn’s Longhorn World Championship Rodeo,” held at Madison Square Garden way back in 1974. “Each bull has his own set of statistics,” Frazier writes, “just like a baseball player: how many people he’s bucked off, how many times he’s been ridden, how many times he’s made the national finals—things like that.” His visits with the plainspoken NPR commentator Kim Williams, the doyenne of Missoula, Montana, yield dozens of elegant observations, some well ahead of their time, as when she stands in Trump Tower on a visit to New York and declares, “I think someday all the rich people are going to take our resources and go live in a big, warm dome high above us somewhere.” Her takeaway: It’s inevitable, so make do with less. Among the longest pieces are a sardonic examination of life in Russia in the early years of the Putin regime, with Putin himself somewhat at a crossroads about how to celebrate the overthrow of the last tsar: “The example of, say, the civil unrest of early February 1917 may not appeal to a leader who faced widespread protests against his own autocratic rule.” It’s all highly readable, with some great turns of phrase (“Russian humor is slapstick, only you actually die”). And if you want to know how prisoners score contraband cell phones, here’s where to turn.
Frazier is an exemplary prose writer, and aspiring practitioners couldn’t ask for a better textbook.Pub Date: Jan. 13, 2026
ISBN: 9780374603106
Page Count: 384
Publisher: Farrar, Straus and Giroux
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
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by Walter Isaacson ‧ RELEASE DATE: Nov. 18, 2025
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
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New York Times Bestseller
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
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by Walter Isaacson with adapted by Sarah Durand
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SEEN & HEARD
by Brandon Stanton ‧ RELEASE DATE: Oct. 7, 2025
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee
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by Brandon Stanton photographed by Brandon Stanton
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