by Ibram X. Kendi ; illustrated by Ashley Lukashevsky ‧ RELEASE DATE: June 16, 2020
Antiracism’s starting point.
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This book may be nominally for babies, but its audience is an adult one.
Kendi makes this clear in the first two double-page spreads: “Antiracist Baby is bred, notborn. / Antiracist Baby is raised to make society transform. // Babies are taught to be racist or antiracist—there is no neutrality. / Take these nine steps to make equity a reality.” Although this board book hardly substitutes for How To Be an Antiracist (2019), Kendi’s exploration of the topic for adults, it does serve to remind caregivers that raising an antiracist child is a conscious process. Importantly, points No. 1, “Open your eyes to all skin colors,” and No. 2, “Use your words to talk about race,” aim to correct anxious, usually white caregivers’ tendencies to “deny what’s right in front of you” when their children point out people who look different from them. To these and Kendi’s next seven points, Lukashevsky pairs bold, thickly outlined cartoons of babies and adults of many different skin tones, gender presentations, and body types. A couple of the depicted caregivers have tattoos; one wears the hijab. Several sets of parents can be read as LGBTQ+. The bright colors should keep babies and toddlers engaged while adults work to master the couplets, which do not always scan evenly. Some points are harder than others: “Confess when being racist,” for instance, may require several reads to internalize.
Antiracism’s starting point. (Board book. 6 mos.-3)Pub Date: June 16, 2020
ISBN: 978-0-593-11041-6
Page Count: 24
Publisher: Kokila
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: July 15, 2020
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Mellody Hobson ; illustrated by Caitlin Stevens ‧ RELEASE DATE: Oct. 1, 2024
A variety show brimming with esoteric and practical information.
Two youngsters embark on a journey peppered with history, trivia, and skits while teaching money lessons.
Meet Mellody and John, the young stars of this currency showcase. Their very first dialogue offers a taste of the intriguing information to come, from the ancient Mayans’ use of cacao beans as payment to the origins of the piggy bank. The book offers a chronologically and geographically broad timeline of the history of money, encompassing the past 3.9 billion years (starting with meteorite crashes that scattered metals—“the very first bank deposit”) and referencing practices across five continents. Readers will find themselves eagerly sharing the facts gleaned here, including the centuries-old origins of terms and expressions still used today. Mellody and John’s fun banter crucially reflects their experiences with money, such as their families’ differing attitudes toward allowances. Both are savers as well as givers, sharing stories about giving to charity. In one especially entertaining section, a cat and a bunny converse in money-related catchphrases that are separately defined at the bottom of each page. Stevens’ watercolors are appropriately realistic and appealing, whether depicting Mellody’s pretend bank or Elizabeth II’s butler ironing a 10-pound note. Messages about money’s use as a means to an end, rather than an end in itself, ensure that readers will think about their own purposes for their savings. Mellody and John are Black.
A variety show brimming with esoteric and practical information. (index) (Nonfiction. 8-12)Pub Date: Oct. 1, 2024
ISBN: 9781536224719
Page Count: 80
Publisher: Candlewick
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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by Tiffany Jewell ; illustrated by Aurélia Durand ‧ RELEASE DATE: Jan. 7, 2020
Essential.
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A guidebook for taking action against racism.
The clear title and bold, colorful illustrations will immediately draw attention to this book, designed to guide each reader on a personal journey to work to dismantle racism. In the author’s note, Jewell begins with explanations about word choice, including the use of the terms “folx,” because it is gender neutral, and “global majority,” noting that marginalized communities of color are actually the majority in the world. She also chooses to capitalize Black, Brown, and Indigenous as a way of centering these communities’ voices; "white" is not capitalized. Organized in four sections—identity, history, taking action, and working in solidarity—each chapter builds on the lessons of the previous section. Underlined words are defined in the glossary, but Jewell unpacks concepts around race in an accessible way, bringing attention to common misunderstandings. Activities are included at the end of each chapter; they are effective, prompting both self-reflection and action steps from readers. The activities are designed to not be written inside the actual book; instead Jewell invites readers to find a special notebook and favorite pen and use that throughout. Combining the disruption of common fallacies, spotlights on change makers, the author’s personal reflections, and a call to action, this powerful book has something for all young people no matter what stage they are at in terms of awareness or activism.
Essential. (author’s note, further reading, glossary, select bibliography) (Nonfiction. 10-18)Pub Date: Jan. 7, 2020
ISBN: 978-0-7112-4521-1
Page Count: 160
Publisher: Frances Lincoln
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
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