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MONSTERS

From the Ashes series , Vol. 3

An opus of blood, gore and pain that will leave fans breathless.

All of the Ashes Trilogy storylines converge in this action-packed series conclusion.

Picking up immediately where Shadows (2012) left off, indomitable heroine Alex again claws her way out of one danger and into another. Rescued from a cave-in by Wolf, she rejoins the Changed, despite the risk of ending up on the menu, and gradually learns Wolf’s and Peter’s secrets. Meanwhile, other familiar faces reappear, each belonging to one of various other small groups scrapping for survival. The jarring narration jumps back and forth between Alex’s story and the other characters’, often in short bursts with deadly-peril parallels in characters’ situations. There are so many near brushes with death that, at times, danger becomes tedious and expected, losing some tension. It’s recovered through well-crafted sentences, especially Bick’s signature, deliberate cliffhanger chapter endings that ensure that readers won’t be able to stop until they’ve reached the climactic showdown. As the novel progresses, the seemingly disparate storylines bleed into one another more and more, and connections and relationships among factions and characters are clarified as all storylines converge on Finn’s grudge against Rule, his influence on other characters and the terrifying results of his experiments on his Changed army. The ending wraps up most questions but still leaves enough mystery for readers to dwell on.

An opus of blood, gore and pain that will leave fans breathless. (Horror. 14 & up)

Pub Date: Sept. 10, 2013

ISBN: 978-1-6068-4177-8

Page Count: 832

Publisher: Egmont USA

Review Posted Online: July 30, 2013

Kirkus Reviews Issue: Aug. 15, 2013

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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