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A YEAR AND SIX SECONDS

A LOVE STORY

Part two of Gillies’ (Happens Every Day, 2009) chatty, bittersweet chronicle of loss and renewal.

“I had to get my shit together,” writes the disillusioned author, who, in this memoir sequel, plods onward and incrementally upward after separating from her husband in Ohio, taking her two sons and moving in with her parents in New York City. Separation agreement official and wedding band removed (the area replaced with an angry rash), Gillies ruefully struggled with modern city life after picking up the pieces of a shattered life once her husband Josiah left her to marry another woman. Her situation alternately cheerless and “exciting” (the dating scene!), Gillies interviewed schools and babysitters, revived a recurring role on Law & Order and uncomfortably shared split vacations and custody with Josiah for the sake of the boys. Romantically determined to rediscover that coveted “deep purple, electrifying, all-consuming and painful love,” she blind dated via e-mail and tested an old friend’s capacity for love. With the same self-effacing prose found in her debut, Gillies describes her journey from the pain of lost love to the land of the living with humor and compassion. Too often, however, the self-described “drama queen” waxes melodramatically, like she was the first and only survivor of a heart-wrenching divorce. Readers who enjoyed the author’s earlier memoir—and books like it—will find her saga engrossing and heartfelt, though the writing remains scruffy and rambling. Gillies still wants love at first sight (again), but one year later, will it still only take six seconds to happen? Readers will cheer along with the author, whose heart overflows in the conclusion of this enduring story of life after love. The writing is uneven, and the author strains for material in the final chapters, but there’s plenty of love, humor and hope to spare.

 

Pub Date: Aug. 2, 2011

ISBN: 978-1-4013-4162-6

Page Count: 256

Publisher: Voice/Hyperion

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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