Lewis leaves behind the serious mood of his Freedom Like Sunlight: Praisesongs for Black Americans (2000) with jocose commemorations of 22 more important notables. He ranges from Ruby Bridges and Michael Jordan to such non–African-Americans as Anna Edson Taylor, the first person to survive a barrel ride over Niagara Falls, and Akebono, the first top-ranked non-Japanese sumo wrestler (“What’s even more surprising than / The belly of a sumo / Wrestler is his very very / Miniature costume! Oh . . . ”). He even leaves the human arena, saluting the 6,000-year-old “Eon Tree” as well as the brontosaurus who, paleontologists suggest, could snap its tail like a whip—“What first broke the sound barrier? / A Brontosaurus derriere.” Ajhar’s big, breezy caricatures add plenty of dash and action; Babe Didrikson holds a golf club in one hand, juggles basketballs with the other, and catches a javelin in her teeth. Levi Strauss high-steps past generations of jeans-wearers; and Susan Montgomery Williams floats through every scene suspended beneath her world-record–sized bubblegum bubble. Readers will sail just as lightly through this gallery of achievers, marveling as they go. (Picture book/poetry. 7-10)
Pub Date: May 1, 2001
ISBN: 0-8037-2108-0
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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