This first collaboration from McDevitt (Firebird, 2011, etc.) and Resnick (The Doctor and the Kid, 2011, etc.), developed from a 2010 story by McDevitt (spoiler alert: don’t read the story first), takes the form of a conspiracy involving the moon landings. And no, Stanley Kubrick didn’t fake them.
By 2019, the U.S. economy is still grinding along the fringes of recession. Jerry Culpepper, NASA’s public affairs director, loves his job and still believes in its mission, even though the only foreseeable future is one of continuing slow decline. But then a routine release of background material from the late 1960s turns up an oddity. Before Neil Armstrong landed on the moon, there were two dress-rehearsal moon shots, both of which orbited the moon but did not land. Yet, a recording of a chat between Houston and Sydney Myshko, captain of the first of the test missions, shows Myshko apparently preparing to descend! And Aaron Walker, on the mission after Myshko, wrote in his diary that he landed on the moon. Both men are now dead and cannot be questioned. But was there a coverup? Of what, and for what possible reason? Multibillionaire entrepreneur Morgan “Bucky” Blackstone sees a chance to goose the complacent Washington establishment and, not coincidentally, whip up enthusiasm for his own, strictly private enterprise, planned moon landings. As other evidence, suggestive yet inconclusive, trickles in, Jerry tries to keep a lid on things. Meanwhile, POTUS George Cunningham, an essentially decent man with a strong interest in NASA but hampered by intractable budgetary constraints, finds himself in a bind: If there was a conspiracy and he didn’t know, he’s out of touch and an idiotic dupe; if he did know, he’s a liar and part of the coverup. Against the solid and affectionately rendered NASA backdrop, the authors expertly crank up the tension and maintain it throughout via a suite of thoroughly believable characters.
A top-notch, edge-of-the-seat thriller in which there are no villains, only mysteries.
