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THE GOLD MINER’S DAUGHTER

A MELODRAMATIC FAIRY TALE

With folktale characters crowding the supporting cast, a sturdy heroine sets out to rustle up some gold to save her mine, house and hand from an oily banker in this elaborately staged—if not particularly well-knit—potboiler. Opening and closing in a lavishly appointed theatre before an all-animal audience, but otherwise set amidst dusty western hills, the play sends intrepid Gracie Pearl to town in a desperate search. There she finds that evil Bigglebottom, the banker, has seized the Golden Goose, tricked Rumpelstiltskin into a violent departure, sicced his trio of bears onto Goldilocks and for good measure tied three pigs to the railroad tracks for nonpayment of housing loans. None of these figures play any significant role, however; they just act as filler until, when the banker returns to claim his due, Gracie Pearl fights back so hard that the ground cracks and up comes a “black gold” gusher. Rebuses in the text provide visual cues for hissing and cheering, but Goodell’s elaborately detailed scenes will likely be a stronger draw for young readers. A good try nonetheless, and a natural for fans of the likes of Lisa Wheeler’s operetta Seadogs (2004), “staged” by Mark Siegel. (Picture book. 7-9)

Pub Date: March 1, 2006

ISBN: 1-56145-362-5

Page Count: 32

Publisher: Peachtree

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2006

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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HORRIBLE HARRY AT HALLOWEEN

Every year since kindergarten, Harry’s Halloween costume has gotten scarier and scarier. What’s it going to be this year? He’s not telling. His classmates are all stunned when he shows up, not as some monster or a weird alien (well, not really)—but as neatly dressed Sgt. Joe Friday of Dragnet fame, wielding a notebook and out to get “just the facts, ma’am.” As she has in Harry’s 11 previous appearances (15, counting the ones his classmate Song Lee headlines), Kline (Marvin and the Mean Words, 1997, etc.) captures grammar-school atmosphere, personalities, and incidents perfectly, from snits to science projects gone hilariously wrong. She even hands Harry/Friday a chance to exercise his sleuthing abilities, with a supply of baby powder “fairy dust” gone mysteriously missing. As legions of fans have learned to expect, Harry comes through with flying colors, pinning down the remorseful culprit in 11 minutes flat. No surprises here, just reliable, child-friendly, middle-grade fare. Illustrations not seen. (Fiction. 7-9)

Pub Date: Sept. 1, 2000

ISBN: 0-670-88864-8

Page Count: 64

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2000

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