Moriarty has done it again. Fourth in the loose Brookfield-Ashbury saga (Feeling Sorry for Celia, 2001; The Year of Secret Assignments, 2004; The Murder of Bindy Mackenzie, 2006), this Australian import uses multiple formats (journals, exam essays, letters, transcripts) to relate the events of senior year at Ashbury, when two scholarship students with dark pasts and astounding talents shake up the lives of characters who will be familiar to fans. Quirky, comic and self-referential—exam questions about Gothic novels highlight the novel’s own gothic elements; weather then plays a crucial role in a climactic, possibly supernatural finale—this romp explores serious issues (especially class and privilege). No one is exactly who you think, and figuring out just what is going on is much of the fun. The author effortlessly employs multiple voices and narrative devices for maximum effect, and each member of the ensemble comes across loud and clear. Despite the heavy underpinnings, the focus is the redemptive power of friendship. Another winner, sure to please old fans and create new ones. (historical note) (Epistolary dramedy. YA)
