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OUR FINAL INVENTION

ARTIFICIAL INTELLIGENCE AND THE END OF THE HUMAN ERA

As researchers on climate change know, warnings of future disasters are a hard sell. Enthusiasts dominate observers of...

Cars aren’t out to kill us, but that may be a side effect of building cars, writes documentary filmmaker Barrat in this oddly disturbing warning that progress in computers might spell our extinction.

Computers already perform essential tasks in our national infrastructure and daily lives, including several beyond the capacity of the smartest individual—e.g., playing chess or competing against humans on Jeopardy. While dazzling, these accomplishments are too specialized for the artificial intelligence the author and the many philosophers, scientists and entrepreneurs he interviews have in mind. Within decades, computers will operate at the speed of a human brain and become rational, allowing them to learn, rewrite their own programs to learn better, solve problems better, make decisions and perhaps create more computers like themselves. Having reached this level, they have achieved artificial general intelligence. Inevitably, working on their own without human input, they will exceed human intelligence by factors of 100 and eventually thousands, achieving artificial superintelligence. Many experts assert that the first ASI machine that humans invent will be our last invention due to the fact that it will leave man’s brainpower in the dust. Whether or not designers build friendliness or empathy into these machines (no one is doing that now), no ASI computer is likely to defer to our interests any more than humans deferred to, say, mice, bison or even indigenous tribes as they spread across the world.

As researchers on climate change know, warnings of future disasters are a hard sell. Enthusiasts dominate observers of progress in artificial intelligence; the minority who disagree are alarmed, articulate and perhaps growing in numbers, and Barrat delivers a thoughtful account of their worries.

Pub Date: Oct. 1, 2013

ISBN: 978-0-312-62237-4

Page Count: 336

Publisher: Dunne/St. Martin's

Review Posted Online: Aug. 31, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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