Although he can go on too much about how unaffected and genuine he is, Garner comes across as likable on the page as he does...
With Winokur (The Big Book of Irony, 2007, etc.) Garner tells his life story with the same wry, self-effacing charm that characterized his classic TV characters: the laidback cowboy Bret Maverick and the down-on-his-heels gumshoe Jim Rockford.
Raised in Depression-era Oklahoma by an alcoholic father and abusive stepmother, Garner escaped to Hollywood, got his own hit show (Maverick) before he was 30 and made movies. He has stayed married to the same woman for over 50 years. Fate has, for the most part, been kind: “The only reason I’m an actor is that a lady pulled out of a parking space in front of a producer’s office.” Along the way, he also spent a hellish season in the Korean War and received two Purple Hearts in Korea—though he claims that he “didn’t save anybody but myself.” Garner praises mentors such as Henry Fonda and Marlon Brando and offers testier assessments of his late neighbor and competitor Steve McQueen, Charles Bronson (“a bitter, belligerent SOB”) and Charlton Heston (“stiff as a board”). He gives great inside dope on the technical demands of making of his racing hit Grand Prix (1966), the sheer physical toll action roles can take on the body and the equally brutal business end of Hollywood, where Garner has survived two legendary you’ll-never-work-in-this-town-again run-ins with the studios (“It was like being in business with the Mafia, only Universal didn’t need a gun, just a pencil”). The author is also full of contradictions. He doesn’t believe in glorifying the military but supports a memorial for Korean War veterans, calls himself a coward but continually points out that he never backs down from a fight and claims not to take acting too seriously (“I have to laugh when I hear actors talking about their art”) but clearly knows the craft and respects it.
Although he can go on too much about how unaffected and genuine he is, Garner comes across as likable on the page as he does on screen.Pub Date: Nov. 1, 2011
ISBN: 978-1-4516-4260-5
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Oct. 15, 2011
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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