by James McBride ‧ RELEASE DATE: April 5, 2016
An unconventional and fascinating portrait of Soul Brother No. 1 and the significance of his rise and fall in American...
National Book Award winner McBride (The Good Lord Bird, 2013, etc.) dissects the career, legacy, and myth of the Godfather of Soul.
One of the most iconic figures in pop music, James Brown (1933-2006) is also one of the most unknown and falsely represented figures in American cultural history. Taking the recent biopic based on his life as an example, McBride shows how Brown’s late-career downward spiral into drug abuse, erratic behavior, and jail time is exaggerated and how it overshadows his legacy as a hardworking and dedicated singer who was a positive cultural force. Part of this misrepresentation was caused by the mystery of Brown, which he perpetuated during his lifetime. As the author points out, Brown was constantly on the run from himself, careful never to reveal too much of his personality in public or private. As Brown put it to his young protégé Al Sharpton, “come important and leave important.” McBride traces Brown’s philosophy of “keeping ’em guessing” through his upbringing in rural South Carolina and Georgia and back to a telling myth of a local ancestor. As the author sums it up: “you can’t understand Brown without understanding that the land that produced him is the land of masks.” Anecdotes and digressions are the preferred narrative mode for McBride, as he eschews an overarching, linear structure in favor of the rhythm of vignettes. Through his adventures to uncover the “real” Brown, there is significantly little discussion of Brown’s musical career; instead, the author focuses on the people around him and the defining moments of his life outside the spotlight. But for McBride, the story of Brown is the story of money and greed—not on Brown’s part, who put his $100 million estate toward the education of poor children, but of his heirs and family members who have tied up that money in years of litigation.
An unconventional and fascinating portrait of Soul Brother No. 1 and the significance of his rise and fall in American culture.Pub Date: April 5, 2016
ISBN: 978-0-8129-9350-9
Page Count: 256
Publisher: Spiegel & Grau
Review Posted Online: Jan. 25, 2016
Kirkus Reviews Issue: Feb. 15, 2016
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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