An admirable collection of stories, saturated with acerbic wit and startling empathy.
In Carson’s fifth collection of short stories, Northern Ireland is a place that protects and punishes in equal turn.
The unnamed protagonist of the title story has finally convinced his Spanish girlfriend, with whom he has a tense, confusing relationship, to visit his native Belfast. She has no interest in meeting his family or seeing the places he frequented growing up or even appeasing him. Carson has set this story in an alternate present in which animals seen as obsolete are culled or sent away; what Paola wants to see is the last horse in Britain. The narrator’s daydreams of how lovely it will be to share his hometown with his partner are quickly squashed after they arrive, but he still at one point feels “the gut-twist relief of belonging somewhere specific.” This feeling—at once soothing and nauseating—is present in each of these 16 stories as their characters confront upsetting or deeply frightening obstacles, some absurd, some starkly mundane. In “Grand So,” a couple struggles to keep their jam business afloat. Granda buys a used car for Granny and their granddaughter Ruth to drive around the province, handing out samples, even though “nobody wants to buy luxury jam. This is Northern Ireland. In the eighties. People have other things on their minds.” Ruth discovers that the ghost of the car’s previous owner—a large chain-smoking man she dubs the Backseat Man—is haunting it. Worse, her family is Protestant, and this man is clearly “the other sort of ghost.” “Caravan,” another standout, is told from the point of view of a young girl. Caroline is 10, “almost a grown-up,” and tired of kiddie stuff. Her father promises that if she can fix up the old caravan she and her sister play house in every summer, she can have it as her very own grown-up room. This story’s strengths are in its subtleties, especially its framing of the ways in which the vibrancy of girlhood can lurch, all of a sudden, into the bleak logic of adulthood.
An admirable collection of stories, saturated with acerbic wit and startling empathy.Pub Date: July 9, 2024
ISBN: 9781668056615
Page Count: 288
Publisher: Scribner
Review Posted Online: May 4, 2024
Kirkus Reviews Issue: June 1, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A tart meditation on narrative and integrity.
A writer’s meeting with his mentor goes complicatedly awry.
Lerner’s slim fourth novel opens with an unnamed narrator arriving in Providence, Rhode Island, on a magazine assignment to interview Thomas, a professor who’s “among the world’s most renowned thinkers about art and technology.” Just before leaving his hotel, though, he accidentally knocks his phone in a sink, bricking it. His sole means of recording the interview gone, he triages, suggesting that he and Thomas conduct a pre-interview that evening and do a full-dress conversation the next day, after he can get the device fixed. The setup seems thin, but, this being a Lerner novel, rich ethical and philosophical questions fly off it: He’s concerned with the ways that an interview poisons authentic conversation, with our over-reliance on technology, and the moral dilemmas of talking to an unreliable source. (Thomas, 90, seems distracted and sometimes dotty.) Lerner’s true subject isn’t an interview so much as it is misapprehension and miscommunication; after the meeting with Thomas in the first section, the second and third parts are concerned with characters’ failures to understand something about each other, be it a romantic partner’s wishes or a child’s eating disorder. That last challenge makes for some of the most vivid, offbeat, and affecting writing Lerner has delivered—a surprise, given his fiction is typically marked by DeLillo-esque sangfroid. Another surprise is the relative embrace of a conventional story arc, as the narrator faces a reckoning about living in a “deepfake” world. This is slighter fare for Lerner but surprisingly potent given its length, interested in the ways that we manufacture our identities and how technology speeds the process along.
A tart meditation on narrative and integrity.Pub Date: April 7, 2026
ISBN: 9780374618599
Page Count: 144
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 20, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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