Readers who are not devoted followers of Karon may be impatient with the glacial pace of this installment.
Book two of Karon’s new series about an Episcopal priest, The Father Tim Novels (Home to Holly Springs, 2007), continues as Father Tim’s long-awaited Ireland vacation turns into a busman’s holiday.
Father Tim Kavanagh, 70, and his wife, children’s author Cynthia, 64, have arrived at Broughadoon fishing lodge for a second honeymoon. A repeat visitor to the lodge, Tim re-encounters the proprietors, Anna Conor, her husband Liam and Anna’s daughter Bella, now a truculent teenager. Anna’s aging father William is the resident eminence grise. Until William bought it, Broughadoon was once part of the estate of Evelyn Conor, chatelaine of the adjacent manor house, Catharmore. The once lovely Evelyn, Liam’s formidable mother, is now an elderly alcoholic still furious with William for welshing on his youthful promise of marriage. (Instead, she married wealthy Riley Conor.) As if to prove there’s no vacation from Tim’s vocation, spiritually unsettling stuff happens. An intruder leaps out of a wardrobe, startling Cynthia, who stumbles, respraining her recently healed ankle. A priceless painting disappears from Broughadoon’s parlor. His Catholic hosts seek Tim out as an informal confessor. Anna is worried that William may actually be Liam’s father. Liam frets about the same possibility. William still regrets abandoning Evelyn. Meanwhile over at Catharmore, Evelyn has decided to detox and give her geriatric liver a fighting chance, only to suffer injuries in a fall. Tim accompanies Evelyn to the hospital (the Catholic priest being off on his own holiday) because her older son Paddy has retreated into his own boozy haze. Father Tim sees in Bella the same type of implacability that led him to take on his troubled adopted son Dooley. Can he foster similar paternal determination in Liam? Tim and Cynthia peruse a journal, circa 1861, written by Catharmore’s first owner. The long journal entries do little to advance the present story but are sometimes a welcome diversion from it.
Readers who are not devoted followers of Karon may be impatient with the glacial pace of this installment.Pub Date: Oct. 19, 2010
ISBN: 978-0-670-02212-0
Page Count: 368
Publisher: Viking
Review Posted Online: July 27, 2010
Kirkus Reviews Issue: Aug. 15, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.
This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of God. The women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved. An enthralling tale rendered with consummate literary skill.
Pub Date: Oct. 4, 2011
ISBN: 978-1-4516-1747-4
Page Count: 512
Publisher: Scribner
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.
A Christian woman and a Jewish man fall in love in medieval France.
In 1088, a Christian girl of Norman descent falls in love with the son of a rabbi. They run away together, to disastrous effect: Her father sends knights after them, and though they flee to a small southern village where they spend a few happy years, their budding family is soon decimated by a violent wave of First Crusaders on their way to Jerusalem. The girl, whose name becomes Hamoutal when she converts to Judaism, winds up roaming the world. Hertmans’ (War and Turpentine, 2016, etc.) latest novel is based on a true story: The Cairo Genizah, a trove of medieval manuscripts preserved in an Egyptian synagogue, contained an account of Hamoutal’s plight. Hamoutal makes up about half of Hertmans’ novel; the other half is consumed by Hertmans’ own interest in her story. Whenever he can, he follows her journey: from Rouen, where she grew up, to Monieux, where she and David Todros—her Jewish husband—made a brief life for themselves, and all the way to Cairo, and back. “Knowing her life story and its tragic end,” Hertmans writes, “I wish I could warn her of what lies ahead.” The book has a quiet intimacy to it, and in his descriptions of landscape and travel, Hertmans’ prose is frequently lovely. In Narbonne, where David’s family lived, Hertmans describes “the cool of the paving stones in the late morning, the sound of doves’ wings flapping in the immaculate air.” But despite the drama of Hamoutal’s story, there is a static quality to the book, particularly in the sections where Hertmans describes his own travels. It’s an odd contradiction: Hertmans himself moves quickly through the world, but his book doesn’t quite move quickly enough.
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.Pub Date: Feb. 4, 2020
ISBN: 978-1-5247-4708-4
Page Count: 304
Publisher: Pantheon
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
