Yolen and Harris (Queen’s Own Fool, 2000) once again dish up an intense drama drawn from Scottish history. Just after the turn of the 14th century, King Edward “Longshanks” captured several women of Robert Bruce’s household, including his 11-year-old daughter Marjorie, and displayed some of them in cages. Here, Marjorie tells her tale, alternating between her past as a tempestuous young princess forced by the advancing English armies to become a fugitive while her father and uncles are off fighting for Scotland’s independence, and the present, in which she sits, filthy, underfed (starved, later on) and caged while jeering locals pelt her with rotten fruit, and wily Edward himself pays daily visits, seeking to break her spirit. Unlike clashes of arms, this is a battle she can fight, and fight she does, using words and silence as weapons, ultimately winning her tormentors’ sympathy, and grudging respect from the dying king. Fans of Karen Cushman’s Catherine, Called Birdy (1994) and Matilda Bone (2000) will welcome this new tale of a strong-minded young woman coming of age and holding her own in a hostile medieval world. (Fiction. 11-13)
Pub Date: Sept. 1, 2002
ISBN: 0-399-23627-9
Page Count: 240
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
Paulsen recalls personal experiences that he incorporated into Hatchet (1987) and its three sequels, from savage attacks by moose and mosquitoes to watching helplessly as a heart-attack victim dies. As usual, his real adventures are every bit as vivid and hair-raising as those in his fiction, and he relates them with relish—discoursing on “The Fine Art of Wilderness Nutrition,” for instance: “Something that you would never consider eating, something completely repulsive and ugly and disgusting, something so gross it would make you vomit just looking at it, becomes absolutely delicious if you’re starving.” Specific examples follow, to prove that he knows whereof he writes. The author adds incidents from his Iditarod races, describes how he made, then learned to hunt with, bow and arrow, then closes with methods of cooking outdoors sans pots or pans. It’s a patchwork, but an entertaining one, and as likely to win him new fans as to answer questions from his old ones. (Autobiography. 10-13)
Pub Date: Feb. 1, 2001
ISBN: 0-385-32650-5
Page Count: 150
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)
An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”
The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.
Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)Pub Date: Sept. 13, 2011
ISBN: 978-0-374-37993-3
Page Count: 352
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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