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THE EXPATRIATES

A richly detailed novel that rubs away at the luster of expat life and examines how the bonds of motherhood or, really,...

In Lee’s second novel after the bestselling The Piano Teacher (2009), Hong Kong sets the stage for stories of expatriation, cultural divide, and, most strikingly, the varying ways in which grief causes isolation, as seen through three connected women.

“You can survive a tragedy, given time,” thinks Mercy, a mid-20s Korean-American Columbia graduate who moved to Hong Kong for a fresh start after years of being unlucky in life. Unfortunately, a change in scenery doesn’t cause much of a change in her happiness; desperate for a job, she agrees to accompany a wealthy American couple and their three children on a trip to Korea, where a terrible “incident” involving one of the children—that's what everyone chooses to call it, hardly capable of being direct—occurs and she is deemed responsible. The novel begins nearly a year later, a year during which grief has settled in Mercy’s core, as well as in Margaret Reade’s, the beautiful family matriarch who hired Mercy. As Mercy “wonders when she’s supposed to start her life again, when she is allowed,” Margaret is dealing with similar feelings—“she cannot live. She cannot not live”—and yet the two women are completely isolated from one another and from their community of expats, whose beautiful families and lavish lifestyles now seem unreal, untouchable. Lee’s portrayal of Margaret’s grief is the most powerful; the quiet, daily suffering of a mother who’s experienced unspeakable loss is profound: “she is aware of a black hole that she must avoid at all costs. She is teetering at the edge of it, peering down.” The women’s isolation is mirrored in Hong Kong’s expat culture, which Lee describes in full-bodied detail, a culture painted in rich, tropical color—but only on the surface. A third woman, Hilary, is also connected to this story, but less intensely, and her experience with grief and isolation—while relatable—pales in comparison to Margaret’s, as well as to Mercy’s level of disassociation. An unfortunate side effect of unraveling tragedy is that these characters are lost in reflection, and so there's not much present action and the narrative is often lacking immediacy. Some plot threads beg for more conflict, others are simply forgotten—this book gets lost in thought.

A richly detailed novel that rubs away at the luster of expat life and examines how the bonds of motherhood or, really, womanhood, can call back even those who are furthest adrift. 

Pub Date: Jan. 12, 2016

ISBN: 978-0-525-42947-0

Page Count: 336

Publisher: Viking

Review Posted Online: Nov. 4, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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