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TALES OF CHINKAPIN CREEK

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Veteran short-story writer Ayer strikes gold with these enchanting sketches of the motley relatives and neighbors who peopled her mother’s rural West Virginia girlhood—back when the 20th century was young and spry.

In 1903, Nellie Wister was 8, the eldest daughter of a successful farmer and a proud homemaker with deep roots in Chinkapin Creek, a frontier world of fob hats, molasses and moonshine, tucked into a remote corner of the Mountain State. The automobile had not yet arrived, and men were still called home from the fields by dinner bells ringing across blue hills and green valleys. Channeling her mother’s voice, Ayer employs well-crafted narrative nuggets and crisp dialogue—plus a few choice nostalgic photographs—to recreate the impressions made on Nellie’s alert young mind by assorted visitors to the Wister homestead, where mares are covered, tobacco is spit and pear butter is turned. We meet the perpetually dressed-in-mourning Jane Hamrick, who “had fifteen children by fifteen different men.” We learn that Cousin Jonathan “ain’t worth the powder it would take to blow him up.” Then there’s Cecil McComas, who enjoyed the distinction of having two horses shot from under him during the Battle of Sharpsburg and “always spoke as if he were shouting over cannon fire.” And one Miss Nettie Hunter who, when introduced, “couldn’t be counted on to answer because she took laudanum.” If Jane Austen had dabbled in whittled wood instead of pieces of ivory, she may have produced this winsome little book. Yet Ayer’s wry sketches plumb profound themes. As her tales accumulate, the travails of the poor, the lost and the luckless of Chinkapin Creek quietly emerge, along with Nellie’s growing sophistication and wonderment over the vicissitudes of courtship, marriage, faith and death. Ayer skillfully imbues the raw perceptions of youth with the wisdom of age. Her Chinkapin Creek is at once funny, fulsome and strange—a place where small, obscure lives achieve a poetry all their own. An accomplished, creative memoir by a writer with serious literary tools—West Virginia, we hardly knew your soulful depths.

 

Pub Date: June 27, 2011

ISBN: 978-0615452715

Page Count: 131

Publisher: Chinkapin Publishers

Review Posted Online: Aug. 23, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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