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CHASING LOST TIME

THE LIFE OF C.K. SCOTT MONCRIEFF: SOLDIER, SPY, AND TRANSLATOR

Findlay employs a vast family archive to bring this little-known writer to the fame he justly deserves, making readers want...

C.K. Scott Moncrieff (1889-1930) was a poet, war hero, spy and, above all, one of the world’s greatest translators. Journalist Findlay reveals his natural, effortless writing talent in this story of her great-great uncle.

Moncrieff held a low opinion of his poetry, but his ability to recognize great talent brought him into the brotherhood of the great World War I poets, including Robert Graves, Osbert Sitwell, Siegfried Sassoon and, especially, Wilfred Owen. Moncrieff encouraged Owen in his writing, but it was his unrequited love of Owen that was most important. He vowed to give up poetry because his talent couldn’t compare. So many of England’s young intellectuals wrote of the horrors of war and never returned. Not so, Moncrieff; his work gloried in the chivalry and honor of soldiering and chronicled not blood and death, but flowers, integrity, friendship and the countryside. Beauty was his escape. Crippled by friendly fire and suffering from both shell shock and trench fever, he began writing reviews, criticism and translations. In 1919, he began to translate Proust’s Remembrance of Things Past. It took nine years and seven volumes and was hailed as a masterpiece in its own right. So successful were his Latin, French and Italian translations that he was lauded as one poet catching the emotion of another. In the early 1920s, Moncrieff proposed that the passport office act as a cover for spies, and it was he who reported Mussolini’s attempts at expansion. A spy’s double life came easily as he’d been hiding his homosexuality for years. The most fascinating thing about Moncrieff is that he knew very little French grammar, and his Italian translations began even before he spoke the language.

Findlay employs a vast family archive to bring this little-known writer to the fame he justly deserves, making readers want to turn back to Proust.

Pub Date: March 10, 2015

ISBN: 978-0-374-11927-0

Page Count: 368

Publisher: Farrar, Straus and Giroux

Review Posted Online: Nov. 28, 2014

Kirkus Reviews Issue: Dec. 15, 2014

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
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  • IndieBound Bestseller


  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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