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THE SOMEDAY FILE

A promising first adventure; if Heller can keep the quality this high, mystery fans will have a lot to look forward to.

Awards & Accolades

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A carefully plotted mystery, the first in a series featuring indefatigable Chicago columnist Deuce Mora.

The title refers to the case files Mora dips into when she doesn’t have an idea for a column, tips she’s gotten for semi-interesting stories to follow up on later. The lead she follows this time quickly turns deadly after an old man named Vinnie Colangelo agrees to meet at a bar but is tortured and murdered after she drops him off at his house. He seemed nervous and made reference to news in Las Vegas. The next day, Mora learns a senator has been assassinated in Las Vegas. Partially out of professional curiosity and partly out of a sense of responsibility to find who killed Vinnie, she starts on a trail that brings her into the cross hairs of organized crime and compels her to investigate an old friend. She ends up diving into local government corruption and a 57-year-old massacre at a migrant camp. Mora gets beat up, shot at, and intimidated along the way, but she’s tough, noirish, and Chicago through and through. She’s human though: she doubts herself, and not every lead means progress. Heller (Handyman, 1998), a former reporter who broke the Tuskegee syphilis story, skips no detail as she follows Mora’s thought processes and every conversation she has with a witness. Colorful characters surround her: Eric Ryland, her editor; Sully, her old flame; and a bevy of sources who range from helpful to hostile. Heller pulls off a neat stunt, tying together all the different crimes—Vinnie getting framed on a federal charge in the 1970s, the burning of the migrant camp in the ’50s, and the murder of the senator in the present—in a compelling package that actually adds up. Heller does tend to have Mora notice everything and linger on a historical detail or two about Chicago, which amount to short detours from the action. Yet it always ties back to Mora and the intriguing main plot. Heller should be able to get a lot of mileage out of such a great character and supporting cast.

A promising first adventure; if Heller can keep the quality this high, mystery fans will have a lot to look forward to.

Pub Date: Dec. 8, 2014

ISBN: 978-1505880335

Page Count: 362

Publisher: CreateSpace

Review Posted Online: June 15, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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