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QUIET MOMENTS IN A WAR

THE LETTERS OF JEAN-PAUL SARTRE TO SIMONE DE BEAUVOIR, 1940-1963

A sequel to Witness to My Life (1992), which collected Sartre's letters to Simone de Beauvoir from 1926 to 1939. Most of those collected here were written in 1940, when Sartre was in the military and then in prison camp. Sartre writes, sometimes twice a day, mostly about waiting: for letters (his constant complaint), information, money, leave, action—and books, noting the absurdity of a soldier requesting Shakespeare in the battle zone: "It reeks of espionage." Many letters concern his feelings, his flirtations, and his affair with ``Tania''—a classy "slut" Sartre offers to marry even though it's "Beaver" (his pet name for Beauvoir) whom, in spite of her predilection for women, he considers his soulmate. Ten years into his creative relationship with Beauvoir, Sartre admits to being "disgusted" with himself—for his promiscuity and "obscene" sexuality—and solicits her advice. But however she inspires him, he addresses her in the common language of an adolescent crush, always in the diminutive, "little" this and "little" that, even "little paragon." It's in this period of discipline, confinement, and boredom, however, that Sartre produces his greatest works— Being and Nothingness, No Exit, and The Age of Reason—philosophy, fiction, and drama dedicated to the absurdity of life, as well as to the necessity for freedom and for making choices. The letters slow down when Sartre returns to Occupied Paris and reunites with Beauvoir, and they stop in 1963 because, as Beauvoir explains in a footnote, after that year, in order to communicate with each other, the two always used the telephone. Without Beauvoir's responses, the letters reveal the trivial and commonplace preoccupations of even the most heroic of intellects in the most trying of times.

Pub Date: Nov. 2, 1993

ISBN: 0-684-19566-6

Page Count: 212

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1993

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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