Still, this may be just the ticket for harried moms who want to point out all they do for their kids and get a little help...
Mothers finally get their due from Reagan and Wildish, who instruct readers on how to raise a happy and healthy mom.
A white brother-and-sister pair are readers’ guides, and the day starts with how to wake Mom up: let her sleep in a little, kiss her, and serve breakfast in bed (in Wildish’s humorous digital illustrations, whole fruits—including a pineapple and a lime—a box of popcorn, and juice). The kids ready Mom for the day by dressing her (!) and piling everything necessary at the door. Stuck in a long line at the store? If a surprise treat and acting silly fail, just say, “Thank you so much, Sweet Pea, for being so patient.” The day continues with time for work, outside play, and relaxing, followed by some tips about eating vegetables and bedtime routines. While many of the pages are laugh-out-loud funny, this misses the mark in terms of consistency, sometimes prodding kids to do nice things (breakfast in bed, tidy up for her), sometimes reversing the parent and child roles (the hilarious scene in the store), and other times just showing what moms regularly do anyway (playing outdoors, sitting and chatting with another mom on a “playdate”).
Still, this may be just the ticket for harried moms who want to point out all they do for their kids and get a little help in return—sly fun in other words. (Picture book. 4-8)Pub Date: March 28, 2017
ISBN: 978-0-553-53829-8
Page Count: 32
Publisher: Knopf
Review Posted Online: March 19, 2017
Kirkus Reviews Issue: April 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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