Children just graduating from nursery rhymes will find this a hoot.
Hey-diddle-diddle! Nursery-rhyme EMTs rescue stranded characters from “Mother Goose.” In verse!
All the animals stop to watch the ambulance zoom by. "Who's had an accident in Storyland today?" they wonder. Turns out it's the farmer's cow, who fell from a great height. A trio of paramedics patches her up, and she responds with a hearty "Moo!" The next day is even busier. They rescue Rock-a-Bye Baby, who fell from a bough. They bandage the nose of a poor washer maid who was bitten by a blackbird, a brother of the four and 20 that were baked into that pie. They race to the notorious wall to tend to the big egg Humpty Dumpty after his fall. The King's Horses and Men arrive while the ambulance crew is using jam and bread to cover Humpty's wounds. Next up is Little Boy Blue, whom they find beneath a haystack. He's none the worse for wear, but his mangled horn needs emergency repair, with hammers and “trumpet tape.” Willis' verse is bouncy without being overworked, and she puns with the best of them. Stewart's illustrations are appropriately bright and busy, offering plenty of side business for cognoscenti. The EMTs are human, two Caucasian and one black, and two of them are comfortably well-padded.
Children just graduating from nursery rhymes will find this a hoot. (Picture book. 3-7)Pub Date: May 12, 2015
ISBN: 978-0-7636-7402-1
Page Count: 32
Publisher: Candlewick
Review Posted Online: March 2, 2015
Kirkus Reviews Issue: March 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.
A love letter to libraries.
A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-358-38765-7
Page Count: 32
Publisher: Versify/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
While there are many rhyming truck books out there, this stands out for being a collection of poems.
Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.
Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.
While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)Pub Date: Aug. 27, 2013
ISBN: 978-0-7636-5078-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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